Provenance

The Ian Woodner Family Collection, Inc.

Explore Selected Works

See all 47 works of art
Georges Braque, Large Nude, 1927, brown chalk and stumping on wove paper laid down on canvas, Woodner Collection, 2000.25.1

Large Nude

Georges Braque · 1927 · brown chalk and stumping on wove paper laid down on canvas ·  Accession ID  2000.25.1

Jost Amman, Head of a Bearded Man, 1572, brush and black ink with white wash on blue prepared paper, Woodner Collection, 1991.182.19

Head of a Bearded Man

Jost Amman · 1572 · brush and black ink with white wash on blue prepared paper ·  Accession ID  1991.182.19

Four drawings of faces and bodies are affixed onto a larger vertical album page, on which architectural decorations have been drawn on to act as frames. Three vertical drawings are spaced along the top half of the ivory-colored album page, and one larger horizontal drawing fills the bottom half. Drawn with brown ink and gray washes, the frames resemble moldings and scrolls around each drawing, with garlands flanking the bottom sketch. The three drawings in the top zone are done with metalpoint on gray or mauve paper and are highlighted with touches of white. The metalpoint technique creates faint silvery-gray lines. In the top left drawing, a nude man stands facing us. In the center, the face of a cleanshaven young man with curling hair beneath a cap looks down and to our left. Below the face, a forearm and hand clutching a rock appears next to another study of a hand. In the drawing to our right, a man wearing a toga-like robe leans on a walking stick, facing our left in profile. The drawing at the bottom is done with gray metalpoint lines and white strokes against golden yellow paper. A person sits and twists up in a spiral to our left. In the center of this drawing are three studies of muscular legs. Then, to our right, a man sits on a throne holding a spear or scepter and globe, facing our right in profile. An inscription in the frame below the bottom drawing reads, “Filippo Lippi Pitt: Fior:”
The "Chief Framer", Giorgio Vasari, Raffaellino del Garbo, Sandro Botticelli, Filippino Lippi, Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Sheets probably 1480-1504; mounting & framework c. 1575/1590, album page with ten drawings on recto and verso in various media with decoration in pen and brown ink, brown and gray wash, on light buff paper, Woodner Collection, Patrons' Permanent Fund, 1991.190.1

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page")

The "Chief Framer", Giorgio Vasari, Raffaellino del Garbo, Sandro Botticelli, Filippino Lippi · Sheets probably 1480-1504; mounting & framework c. 1575/1590 · album page with ten drawings on recto and verso in various media with decoration in pen and brown ink, brown and gray wash, on light buff paper ·  Accession ID  1991.190.1

Raffaellino del Garbo, The "Chief Framer", Saint Roch between Saints Anthony Abbot and Catherine of Alexandria, c. 1485/1495, gouache and brown wash heightened with white on laid paper, Woodner Collection, Patrons' Permanent Fund, 1991.190.1.h

Saint Roch between Saints Anthony Abbot and Catherine of Alexandria

Raffaellino del Garbo, The "Chief Framer" · c. 1485/1495 · gouache and brown wash heightened with white on laid paper ·  Accession ID  1991.190.1.h

Federico Barocci, Head of a Bearded Man, 1579/1582, colored chalks on blue laid paper; laid down, Woodner Collection, 1991.182.16

Head of a Bearded Man

Federico Barocci · 1579/1582 · colored chalks on blue laid paper; laid down ·  Accession ID  1991.182.16

Italian, The Sacrifice of Isaac, c. 1500, red chalk with white heightening on laid paper, Woodner Collection, 2001.3.3

The Sacrifice of Isaac

Italian · c. 1500 · red chalk with white heightening on laid paper ·  Accession ID  2001.3.3

Vittore Carpaccio, The Martyrdom of the Ten Thousand, c. 1514, red chalk on laid paper, with unrelated short pen strokes, Woodner Collection, 1991.182.15.a

The Martyrdom of the Ten Thousand

Vittore Carpaccio · c. 1514 · red chalk on laid paper, with unrelated short pen strokes ·  Accession ID  1991.182.15.a

Vittore Carpaccio, Groups of Male Figures, c. 1514, red chalk with pen and brown ink on laid paper, Woodner Collection, 1991.182.15.b

Groups of Male Figures

Vittore Carpaccio · c. 1514 · red chalk with pen and brown ink on laid paper ·  Accession ID  1991.182.15.b

Etienne Delaune, The Backplate of a Suit of Parade Armor, c. 1557, pen and black ink with gray wash and faint traces of black chalk on laid paper, Woodner Collection, 1991.182.20

The Backplate of a Suit of Parade Armor

Etienne Delaune · c. 1557 · pen and black ink with gray wash and faint traces of black chalk on laid paper ·  Accession ID  1991.182.20

Jean Cousin the Elder, Design for a Burgonet Helmet, c. 1545, pen and black ink with gray wash over black chalk on laid paper, Woodner Collection, 1993.51.4

Design for a Burgonet Helmet

Jean Cousin the Elder · c. 1545 · pen and black ink with gray wash over black chalk on laid paper ·  Accession ID  1993.51.4