Provenance

Spencer Drummond Limited

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The image shows the upper body of a person from the waist up. The individual is slightly angled, facing the viewer with their head turned to the left. They have distinct facial features with a contemplative expression and styled hair falling down the side of their face. The person is dressed in a loose, long-sleeved, collared garment. In their hand, they hold drawing instruments and a sheet of paper featuring sketch-like drawings of geometrical shapes. The background is plain and neutral.
Dutch 17th Century, Self Portrait of Willem Drost, black chalk heightened with white on blue laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.35

Self Portrait of Willem Drost

Dutch 17th Century · · black chalk heightened with white on blue laid paper ·  Accession ID  1991.150.35

The image shows a close-up drawing of a person's head and shoulders. The person is slightly tilted to the right, with their gaze downward. The facial features are detailed, with a focus on the eyes and lips. They have medium-length hair flowing around their face. The individual is wearing a garment with an indistinct collar. There are no visible jewelry or objects in the image. The background is a plain, lightly textured surface.
Dutch 17th Century, Head of a Young Man [recto], c. 1650, black chalk on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.14.a

Head of a Young Man [recto]

Dutch 17th Century · c. 1650 · black chalk on laid paper ·  Accession ID  1991.150.14.a

The image depicts an elaborately decorated archway, resembling a triumphal arch. The horizon is shown through the line of the arch's base and adjacent walls. Detailed brushstrokes display intricate carvings and reliefs on the columns and frieze. The color palette consists of sepia tones and browns. People in historical attire are gathered, conversing or walking. In the distance, an inner passageway and other structures can be seen. The composition's muted colors and linear perspective highlight the architecture and period setting.
French 18th Century, Portal of the Hôtel d'Uzès, rue Montmartre, Paris, 1768 or 1784, pen and black ink with watercolor on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.41

Portal of the Hôtel d'Uzès, rue Montmartre, Paris

French 18th Century · 1768 or 1784 · pen and black ink with watercolor on laid paper ·  Accession ID  1991.150.41

The image shows three human figures and a cherub. Two figures are seated upright, while the third reclines on a draped surface. The two upright figures have refined facial features and styled hair, with one possibly adorned with a garland. The reclining figure, also with styled hair, is partially covered, with a focus on her extended lower body and exposed upper body. The figures' clothing is depicted in loose drapes. A small cherub-like figure with wings is engaging with them, holding an object resembling a mirror or tambourine. An additional reclining cherub is next to the third figure. The setting features flowing, expressive lines against an abstract, muted background with no distinct objects or structures.
Giuseppe Bernardino Bison, A Mythological Scene with Sea Gods, brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.8

A Mythological Scene with Sea Gods

Giuseppe Bernardino Bison · · brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper ·  Accession ID  1991.150.8

The image shows two individuals kneeling. The person on the left is leaning forward, their head slightly lowered and turned to the right. They wear a long robe with detailed hem and their arms are wrapped around it. The person on the right has curly hair and is holding a platter with a crown and keys hanging from it. Both wear draped garments. The background is simple, focusing on the figures.
Anton Kern, A Kneeling Woman with an Incense Burner and a Page Holding a Crown and Scepter, c. 1726, pen and brown ink with brown wash over black chalk, heightened with white on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.53

A Kneeling Woman with an Incense Burner and a Page Holding a Crown and Scepter

Anton Kern · c. 1726 · pen and brown ink with brown wash over black chalk, heightened with white on laid paper ·  Accession ID  1991.150.53

This is a drawing of an ornate theatrical stage design. The interior scene features richly decorated walls with classical architectural elements such as columns, pilasters, and sculptural figures. Luxurious drapes and swags hang along the upper part of the design. In the center is a raised stage area with steps leading up to it, and a balcony-like structure with intricate balustrades and ornamentation. Floral motifs and relief sculptures add to the decorative elements, suggesting a Baroque or Rococo style.
Francesco Nicoletti, Design for a State Bedroom, c. 1730, pen and brown ink with colored washes on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.49

Design for a State Bedroom

Francesco Nicoletti · c. 1730 · pen and brown ink with colored washes on laid paper ·  Accession ID  1991.150.49

The image features a sketch of a person's head and upper part of the neck, slightly turned to the right. The person has defined facial features such as a rounded face, prominent cheeks, and closely drawn eyes and lips. The hair is styled in loose, flowing strands that partially frame the face. The person is not wearing any visible clothing or accessories in the sketch. The drawing is done in a reddish tone on paper, with a background of an empty or plain textured surface.
Alessandro Allori, Head of a Youth, red chalk on laid paper; laid down, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.2

Head of a Youth

Alessandro Allori · · red chalk on laid paper; laid down ·  Accession ID  1991.150.2

The sketch depicts two cherubic figures, both shown fully from head to toe. The figure on the left is in a dynamic stance with one arm raised and the other resting across the chest. It has curly hair and wings. The figure on the right stands upright with weight on one leg, slightly tilting its head. It also has curly hair and wings. Both figures are nude and shaded to emphasize their rounded bodies. The background is plain with a paper texture.
Italian 17th Century, Two Standing Putti [recto], pen and brown ink on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.12.a

Two Standing Putti [recto]

Italian 17th Century · · pen and brown ink on laid paper ·  Accession ID  1991.150.12.a

The image shows a side view sketch of a standing person. The person is depicted with one leg slightly bent and the other extended forward. They have a beard and are wearing a wide-brimmed hat, a long draped garment with voluminous sleeves, and the clothing appears textured. The person is not holding any objects and the background is a plain light surface. The sketch is done in red chalk on paper.
Matteo Rosselli, Standing Man Wearing a Cloak and Hat, c. 1602, red chalk on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.59

Standing Man Wearing a Cloak and Hat

Matteo Rosselli · c. 1602 · red chalk on laid paper ·  Accession ID  1991.150.59

The image shows a symmetrical composition with a pathway bordered by rows of tall, neatly trimmed trees leading to a building in the distance. The horizon is positioned midway within the image, where the trees meet the house. The structure has a classic design with a doorway and large windows. The trees and foliage are detailed and textured, while the sky is soft and diffused. The color palette includes muted tones of gray and sepia. There are figures walking along the paths in fashionable attire, and the path extends straight towards the central house, creating depth and perspective.
Cornelis Pronk, Ladies and Gentlemen Enjoying a Dutch Garden, 1739, pen and gray ink with gray wash on laid paper, Gift of William B. O'Neal, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.150.55

Ladies and Gentlemen Enjoying a Dutch Garden

Cornelis Pronk · 1739 · pen and gray ink with gray wash on laid paper ·  Accession ID  1991.150.55