Provenance

Pia Gallo

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Jean-Baptiste Monnoyer, A Bouquet of Flowers in a Wicker Basket, c. 1680, etching and engraving on laid paper, Ailsa Mellon Bruce Fund, 2020.137.1

A Bouquet of Flowers in a Wicker Basket

Jean-Baptiste Monnoyer · c. 1680 · etching and engraving on laid paper ·  Accession ID  2020.137.1

The image depicts a busy dockside scene with a steamship, a figure on the shore, and several people near the ship. The background shows a distant structure, and the sky blends into subtle tones. The artwork is created using fine lines and cross-hatching typical of etching, using a monochrome color palette of black and grey.
Félix-Hilaire Buhot, Embarcadere à Trouville (Wharf at Trouville), 1877, etching and drypoint on japan paper, Ailsa Mellon Bruce Fund, 2013.175.1

Embarcadere à Trouville (Wharf at Trouville)

Félix-Hilaire Buhot · 1877 · etching and drypoint on japan paper ·  Accession ID  2013.175.1

The image depicts a person standing in an elegant pose. The person is facing forward with one arm raised, holding a staff decorated with serpentine motifs, while the other hand extends outward holding a scroll. The individual has a serene facial expression, delicate facial features, long wavy hair cascading around the shoulders, and is wearing a wide-brimmed hat with a ribbon and feather. They wear an adorned gown with lace details, a belt, and decorative buttons, as well as a necklace. The background shows an ornate interior with drapery and detailed wall paneling.
Gilles Rousselet, La Retorique (Rhetoric), engraving on laid paper, Ailsa Mellon Bruce Fund, 2005.45.3

La Retorique (Rhetoric)

Gilles Rousselet · · engraving on laid paper ·  Accession ID  2005.45.3

The image shows three figures in flowing robes from knee-level upwards. The central person holds an open book, looking downward, with curly hair framing their face. The figure on the left gestures towards the book, and the figure on the right looks on with a tilted head. Above them, a nude cherubic figure with wings is flying. The background is subtly shaded with fine lines for depth, enclosed within a cross-shaped frame that includes all figures.
Giorgio Ghisi, Three Muses and a Gesturing Putto, 1560s, engraving on laid paper, Ailsa Mellon Bruce Fund, 2005.45.2

Three Muses and a Gesturing Putto

Giorgio Ghisi · 1560s · engraving on laid paper ·  Accession ID  2005.45.2

The image shows a person from the shoulders up. They are in a relaxed position, with their head resting on their hand. Their facial features are soft and expressive, with gently closed lips and slightly downcast eyes. The person has curly and voluminous hair framing their face. The clothing is simple, and there are no visible accessories or objects. The background is plain.
Julian Alden Weir, Reflections, 1885/1893, etching and drypoint in black on laid paper, Ailsa Mellon Bruce Fund, 2006.42.1

Reflections

Julian Alden Weir · 1885/1893 · etching and drypoint in black on laid paper ·  Accession ID  2006.42.1

The image shows an illustration of a person bending over a crib or bassinet, with a cat nearby. The person appears to be wearing a long dress, and the background suggests an interior setting. Text at the top and bottom includes the title "BERCEUSE," names like Jean Richepin and Désiré Dihau, and publisher information.
Henri de Toulouse-Lautrec, La Berceuse, 1895-1896, lithograph with all music sheets, Ailsa Mellon Bruce Fund, 2002.100.1

La Berceuse

Henri de Toulouse-Lautrec · 1895-1896 · lithograph with all music sheets ·  Accession ID  2002.100.1

The image shows a cherub-like figure lying stretched out on their stomach. The figure's head is turned to the side, with curly hair framing their face. Prominent wings extend gracefully from the figure's back. The figure appears nude, with detailed shading emphasizing the body contours. There are no visible objects or jewelry. The background consists of soft, flowing lines suggesting a natural landscape with trees or shrubs and a clear sky, enclosed in an oval frame.
Lorenzo Loli, Sleeping Cupid, c. 1640, etching on laid paper, Gift of Bert Freidus, 2002.89.1

Sleeping Cupid

Lorenzo Loli · c. 1640 · etching on laid paper ·  Accession ID  2002.89.1

This is a drawing of a complex allegorical scene. The image is crowded with numerous figures and symbolic elements. At the top left, there is a celestial figure amongst clouds within a semi-circular frame. Below, figures are engaged in various activities, surrounded by elements such as an angel, animals, and circular medallions and structures. The figures display a range of expressions and poses. The scene is balanced by architectural elements and depictions of nature including trees and flowing water.
Pietro Testa, An Allegory in Honor of Innocent X, 1644, etching on laid paper, Ailsa Mellon Bruce Fund, 1991.83.1

An Allegory in Honor of Innocent X

Pietro Testa · 1644 · etching on laid paper ·  Accession ID  1991.83.1

The image shows a person standing upright, with one hand near their face, possibly adjusting something. They have curly shoulder-length hair and distinct facial features with a composed expression. The person is wearing a long, elegant dress with wide sleeves, detailed lace, and embroidery. Behind them are ornate benches, a table with various objects, and intricate décor. The background features geometric wall designs and patterned floor tiles.
Jean Couvay, Gilles Rousselet, Le Feu (Fire), c.1620-1663, engraving on laid paper, Ailsa Mellon Bruce Fund, 2005.45.4

Le Feu (Fire)

Jean Couvay, Gilles Rousselet · c.1620-1663 · engraving on laid paper ·  Accession ID  2005.45.4

The image is an etching of a pastoral scene with a flock of sheep close to the viewer. The horizon is in the distance with detailed trees and leaves. The etching shows fine linework and delicate strokes for texture. The sepia-toned color palette gives a warm feel. The sheep are near water with a shepherd observing. The composition is balanced by leafy trees framing the scene and leading to the sky.
Charles Émile Jacque, Sheep at the Watering Place (Abreuvoir aux moutons), 1888, etching on imitation vellum paper, Ailsa Mellon Bruce Fund, 1986.41.1

Sheep at the Watering Place (Abreuvoir aux moutons)

Charles Émile Jacque · 1888 · etching on imitation vellum paper ·  Accession ID  1986.41.1