Provenance

C. & J. Goodfriend

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This is an image of an elaborate allegorical scene. It is a highly detailed engraving depicting a complex narrative through its figures and symbols. At the center of the image, a large reclining figure is intertwined with a donkey-like creature, surrounded by various other symbolic figures and objects. Above them, a cherubic figure stands on clouds holding scales in each hand. To the sides, ornately dressed figures accompany the central scene, some holding masks or theatrical attributes. In the upper part, cherubic figures ride on creatures resembling mythical beings. The scene is framed with cloud formations and rich textures. The lower part includes a book with an inscription in Latin. This engraving reflects a Baroque style in its dramatic intensity, intricate details, and allegorical themes.
Aegidius Sadeler II, Marcus Christoph Sadeler, Allegory of the Marriage of Emperor Ferdinand II and Eleanor Gonzaga, engraving on laid paper, Gift of Ruth Cole Kainen, 2012.92.651

Allegory of the Marriage of Emperor Ferdinand II and Eleanor Gonzaga

Aegidius Sadeler II, Marcus Christoph Sadeler · · engraving on laid paper ·  Accession ID  2012.92.651

This is a drawing depicting various mystical or supernatural scenes. In the central image, a person is seated on a bench in an interior setting surrounded by mythical creatures. Surrounding this central image are vignettes: an angelic figure near a gate, a hooded figure with a staff, a crowd near a building, and people around a cross. The border includes serpentine forms and fantastical elements, suggesting a narrative involving the supernatural and mixing religious, mystical, and infernal iconography.
Félix-Hilaire Buhot, Le Curé de Cucugnan (The Vicar of Cucugnan), c. 1885, etching, drypoint, aquatint (spirit ground), spit bite, and roulette in black on Japanese paper, Helena Gunnarsson Buhot Collection, 1995.54.5

Le Curé de Cucugnan (The Vicar of Cucugnan)

Félix-Hilaire Buhot · c. 1885 · etching, drypoint, aquatint (spirit ground), spit bite, and roulette in black on Japanese paper ·  Accession ID  1995.54.5

The image features a variety of lines and shapes layered over each other. Dark parallel lines and scattered crosshatchings create an abstract composition. There are dome-like shapes in the upper half of the image, along with lighter fragmented lines suggesting reflections or distant outlines.
Félix-Hilaire Buhot, Chaumières anglaises (English Cottages), c. 1879, etching, drypoint, roulette, sulphur tint, and softground etching in black on beige laid paper, Helena Gunnarsson Buhot Collection, 1995.54.37

Chaumières anglaises (English Cottages)

Félix-Hilaire Buhot · c. 1879 · etching, drypoint, roulette, sulphur tint, and softground etching in black on beige laid paper ·  Accession ID  1995.54.37

This is a drawing of a theatrical cabaret program. The image features a harlequin figure dressed in a classic diamond-patterned costume, complete with a ruffled collar and mask, sitting on a wooden stool. The figure is depicted gesturing with one hand and smiling. The title "L'Arlequin" is prominently displayed at the top in bold, stylized letters. The text provides information about the location "3 Rue D'Arras" and includes the phrase "L'Arlequin Cabaret Artistique De La Rive Gauche." The word "PROGRAMME" is written vertically in red letters on the right side of the image. This is in the style of Toulouse-Lautrec, capturing the belle époque era's vibrant cabaret scene with its expressive line work and emphasis on theatrical promotion.
Henri-Gabriel Ibels, E. Malfeyt et Cie., L'Arlequin, 1890s, lithograph in black and red on wove paper, Ailsa Mellon Bruce Fund, 1999.46.4

L'Arlequin

Henri-Gabriel Ibels, E. Malfeyt et Cie. · 1890s · lithograph in black and red on wove paper ·  Accession ID  1999.46.4

The image shows a tree-lined urban street on a rainy day. The trees line the street creating a canopy. Three figures stand on the pavement, two holding umbrellas. In the middle, there is a horse-drawn carriage with people crossing the wet road. The painting style is etching with a sketch-like quality. The color scheme is monochromatic in shades of grey and black, creating a moody atmosphere. The wet street reflects light, adding to the sense of rain, while blurred figures and trees suggest movement in the city.
Félix-Hilaire Buhot, Le retour des artistes (The Return of the Artists), 1877, etching, aquatint, and roulette in black on thin Japanese paper, Helena Gunnarsson Buhot Collection, 1995.54.32

Le retour des artistes (The Return of the Artists)

Félix-Hilaire Buhot · 1877 · etching, aquatint, and roulette in black on thin Japanese paper ·  Accession ID  1995.54.32

This is a drawing of an urban scene. The central image shows a bustling street with a prominent lamp post dividing the scene. The street features figures in Victorian-era attire, a small dog, and buildings draped in flags. The image is surrounded by a border showing scenes of carriages, riders on horseback, and leisure activities. The style of the drawing evokes urban life with social interactions and a festive atmosphere.
Félix-Hilaire Buhot, La Fête nationale au Boulevard Clichy (National Holiday on the Boulevard de Clichy), 1878, etching, drypoint, aquatint, stop-out, foul-bite, and softground etching in black on wove paper, Helena Gunnarsson Buhot Collection, 1995.54.33

La Fête nationale au Boulevard Clichy (National Holiday on the Boulevard de Clichy)

Félix-Hilaire Buhot · 1878 · etching, drypoint, aquatint, stop-out, foul-bite, and softground etching in black on wove paper ·  Accession ID  1995.54.33

The image shows a landscape featuring a river winding towards the horizon. A line of trees silhouettes against the sky, adding depth to the scene. The riverbank is detailed with vegetation, leading the viewer's eye into the image. The trees are depicted with delicate strokes, creating texture. The color palette consists of sepia or dark brown tones, enhancing the serene atmosphere of the etching.
Francis Seymour Haden, A Sunset in Ireland, 1863, etching and drypoint on vellum, Ailsa Mellon Bruce Fund, 2001.120.1

A Sunset in Ireland

Francis Seymour Haden · 1863 · etching and drypoint on vellum ·  Accession ID  2001.120.1

The image depicts a pier or dock with people carrying umbrellas and a small dog walking. The horizon is obscured by silhouettes of people and dock structures. A tall flagpole with a fluttering flag is visible against a cloudy sky. The artwork features a cross-hatched technique creating texture, capturing movement in the clouds. The color palette consists of blacks, greys, and varying shades. The scene conveys a moody atmosphere with light and shadow on wet surfaces as rain falls. Lighter sketches contrast with the dark main scene to the left.
Félix-Hilaire Buhot, Un Débarquement en Angleterre (Landing in England), 1879, etching, drypoint, aquatint (dust ground and spirit ground), softground etching, and roulette in black with the artist's revisions in graphite on moderately thick cream wove paper, Helena Gunnarsson Buhot Collection, Gift in Honor of the 50th Anniversary of the National Gallery of Art, 1990.105.3

Un Débarquement en Angleterre (Landing in England)

Félix-Hilaire Buhot · 1879 · etching, drypoint, aquatint (dust ground and spirit ground), softground etching, and roulette in black with the artist's revisions in graphite on moderately thick cream wove paper ·  Accession ID  1990.105.3

The image shows a street scene with precise, detailed linework. It is drawn at street level, looking down a long, narrow street towards a building with a tall spire in the distance. The left side has buildings and people walking with umbrellas, while the right side has more buildings with shadows. In the distance is the silhouette of a church or cathedral on the horizon. The color palette is monochromatic, with sepia or brown tones. The sky has dramatic clouds with swirling lines.
Félix-Hilaire Buhot, Après la pluie (After the Rain), 1873 or 1874 (reworked 1877), etching, drypoint, and aquatint in black-brown on cream laid paper, Helena Gunnarsson Buhot Collection, 1995.54.29

Après la pluie (After the Rain)

Félix-Hilaire Buhot · 1873 or 1874 (reworked 1877) · etching, drypoint, and aquatint in black-brown on cream laid paper ·  Accession ID  1995.54.29

This drawing depicts various scenes on a ship. The artwork is divided into multiple panels, each showing different vignettes. The upper section shows figures under umbrellas in the rain, with ships sailing in the background under a cloudy sky. The central panel displays figures walking upstairs on a deck, with umbrellas and the ship's structure creating depth. A smaller panel to the left shows a figure with an umbrella and a dog on a rainy day at the port. The bottom left corner depicts an impressionistic scene of figures, possibly children. The lower right panel shows seated figures on the deck, interacting or resting. The drawing uses a monochromatic scheme and sketch-like quality focusing on contrast and form.
Félix-Hilaire Buhot, La Traversée (The Passage), 1879-1885, etching, drypoint, roulette, and softground etching (?) in black on laid paper, Helena Gunnarsson Buhot Collection, 1995.54.60

La Traversée (The Passage)

Félix-Hilaire Buhot · 1879-1885 · etching, drypoint, roulette, and softground etching (?) in black on laid paper ·  Accession ID  1995.54.60