Provenance

Martin Gordon Gallery, Inc.

Explore Selected Works

Maximilien Luce, Camaret, color lithograph, Ailsa Mellon Bruce Fund, 1974.63.1

Camaret

Maximilien Luce · · color lithograph ·  Accession ID  1974.63.1

Adolphe Appian, Landscape, 1870, etching, Ailsa Mellon Bruce Fund, 1975.29.2

Landscape

Adolphe Appian · 1870 · etching ·  Accession ID  1975.29.2

Eugène Isabey, Radoub d'une Barque à la Marée Basse (Refitting of a Ship at Low Tide), 1833, lithograph on chine collé, Gift of Jacob Kainen, 2002.98.37

Radoub d'une Barque à la Marée Basse (Refitting of a Ship at Low Tide)

Eugène Isabey · 1833 · lithograph on chine collé ·  Accession ID  2002.98.37

Pablo Picasso, Man with a Dog (L'homme au chien), 1915, reprinted c. 1947, etching with scraping on wove paper, Ailsa Mellon Bruce Fund, 1975.115.1

Man with a Dog (L'homme au chien)

Pablo Picasso · 1915, reprinted c. 1947 · etching with scraping on wove paper ·  Accession ID  1975.115.1

Adolphe Appian, Une moria a Bordiquier (Italie), 1873, etching, Ailsa Mellon Bruce Fund, 1975.29.1

Une moria a Bordiquier (Italie)

Adolphe Appian · 1873 · etching ·  Accession ID  1975.29.1

Félix-Hilaire Buhot, La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay), 1886/1890, heliogravure, etching, drypoint, roulette, and spit bite, aquatint, and burnsihing in black (central plate) and gray-green (margin plate) on heavy wove light green paper, Gift of Ruth Cole Kainen, 2012.92.12

La Falaise: Baie de Saint-Malo (The Cliff: Saint-Malo Bay)

Félix-Hilaire Buhot · 1886/1890 · heliogravure, etching, drypoint, roulette, and spit bite, aquatint, and burnsihing in black (central plate) and gray-green (margin plate) on heavy wove light green paper ·  Accession ID  2012.92.12

Maximilien Luce, The Sea at Camaret (La mer a Camaret), color lithograph, Ailsa Mellon Bruce Fund, 1974.63.2

The Sea at Camaret (La mer a Camaret)

Maximilien Luce · · color lithograph ·  Accession ID  1974.63.2