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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    Open daily from 10 a.m. to 5 p.m. 
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

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  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    Open daily from 10 a.m. to 5 p.m. 
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    • Artists
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    Artle

    A refreshed experience for our puzzle game

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    3. Francisco Gowland Llobet
    Provenance

    Francisco Gowland Llobet

    Argentinean, born c. 1936

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    Artwork

    Three men on horseback wearing elaborate military uniforms in cream white, crimson red, and gold almost fill this vertical painting. Lit dramatically from the upper left, the men all have peachy, tanned skin. Their red and white uniforms are trimmed liberally with gold. Each man wears a red sash across his chest, cream-white gloves that reach back to mid-forearm, and a tall hat topped with a single, stiff, white feather. At the center of the composition, the man closest to us rides a horse dappled with silver, steel gray, and black, which raises a front hoof as if in mid-stride. The horse and rider’s bodies are angled to our right, but the horse looks back to our left as the man looks directly at us with small brown eyes. His slender nose slopes to a brown handlebar moustache that curves over his pale peach mouth. He leans slightly back in the saddle, which is draped with a scarlet-red blanket with gold trim. The leg we see, to our left, is extended straight in the stirrup, and the man braces a brass trumpet adorned with gold tassels against that thigh. His helmet has a high, square, white crown that comes to points to each side and in front. The boxy shape is outlined in red and has the stiff, bushy feather at the top front and a red tassel hanging along one side. An arched brass plaque with a capital N is affixed to the front of the helmet over a narrow brim. Though held in place with a chin strap, the helmet is slightly askew. To our left and behind the central man, a white horse and rider face away from us. This rider’s upper body is turned back slightly to our right so we see him in profile as he holds a brass horn to his lips. To our right and set father back, the third rider and his gray horse are very loosely painted so features of his face and costume are not clear. All three stand on a ground painted with swipes of caramel brown, mustard yellow, and pine green. The background is slightly darker, in smoky tones of brown, gray, and black with flicks of red. A dark mass, perhaps a deep shadow, rises to the right, behind the third horseman.
    Théodore Gericault, Mounted Trumpeters of Napoleon's Imperial Guard, 1813/1814, oil on canvas, Chester Dale Fund, 1972.25.1

    Mounted Trumpeters of Napoleon's Imperial Guard

    Mounted Trumpeters of Napoleon's Imperial Guard

    Théodore Gericault · 1813/1814 · oil on canvas ·  Accession ID  1972.25.1

    Bibliography

    1968

    • Quien es Quien en la Argentina Buenos Aires, 1968

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