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Mr. and Mrs. Benjamin B. Smith

Smith, Benjamin B. and Dorothy J.

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The image features a central, circular abstract shape with sharp, angular protrusions extending outward. This central form is surrounded by a textured background of parallel and intersecting lines. The abstract elements in the center resemble an oddly shaped shell or a stylized sea creature.
John Altoon, Tamarind Institute, Untitled, 1968, lithograph (zinc) in pink, orange, green, blue andbrown on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.125

Untitled

John Altoon, Tamarind Institute · 1968 · lithograph (zinc) in pink, orange, green, blue andbrown on Copperplate Deluxe paper ·  Accession ID  1983.18.125

The image showcases an abstract composition with an oval enclosing a diamond at its center. Intricate swirling lines and patterns fill the oval, creating a sense of motion and depth. The diamond contains a central circular element with gradient shading. The words "Los Angeles" and "Tamarind" are integrated within the design. The outer sections of the oval feature dense, chaotic patterns.
Miriam Schapiro, Tamarind Institute, Souvenir, 1964, lithograph (stone) in red-black on natural Nacre paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.777

Souvenir

Miriam Schapiro, Tamarind Institute · 1964 · lithograph (stone) in red-black on natural Nacre paper ·  Accession ID  1984.34.777

The image displays thin, parallel horizontal lines and intersecting vertical lines on a pink background. The design evokes elements of a blueprint or architectural drawing, resembling a modern cityscape or building facade. The lines form an organized geometric pattern.
Ed Moses, Tamarind Institute, Untitled, 1968, lithograph (aluminum and stone) in pink and yellow on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.355

Untitled

Ed Moses, Tamarind Institute · 1968 · lithograph (aluminum and stone) in pink and yellow on Copperplate Deluxe paper ·  Accession ID  1984.34.355

The image features a large, dark, and opaque expanse with subtle circular shapes emerging from the background. The composition hints at the shapes of celestial bodies or shadows cast by overlapping objects. It recalls the sight of distant planets against the void of space or round objects submerged in water.
Paul Henry Brach, Tamarind Institute, Oracle, 1964, lithograph (zinc) in two green-blues and blue-green on white Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.352

Oracle

Paul Henry Brach, Tamarind Institute · 1964 · lithograph (zinc) in two green-blues and blue-green on white Arches paper ·  Accession ID  1983.18.352

The image displays an abstract composition with elongated, curvilinear shapes and smaller round forms. Some shapes loosely resemble features of a humanoid figure like eyes, a face, and limbs. The arrangement of elements creates a surreal and intricate figure.
Robert Hansen, Tamarind Institute, Man-Men 162, 1965, lithograph (aluminum) in black on buff Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.628

Man-Men 162

Robert Hansen, Tamarind Institute · 1965 · lithograph (aluminum) in black on buff Arches paper ·  Accession ID  1983.18.628

The artwork features two drawings of heads on a textured paper background. The top drawing is a small, minimalistic depiction showing a portion of a person's head, focused on the upper facial features and hairline. The bottom drawing is larger, framed in a rectangular shape, showing a profile view of a person's head and neck with shading to suggest depth and contour. The background is off-white or beige with a fibrous texture. The lower right corner includes a handwritten signature and numerical inscription.
John Paul Jones, Tamarind Institute, Untitled, 1962, lithograph (stone) in black on natural Nacre paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.797

Untitled

John Paul Jones, Tamarind Institute · 1962 · lithograph (stone) in black on natural Nacre paper ·  Accession ID  1983.18.797

The image shows swirling lines and cloud-like shapes forming an abstract composition. At the center, a cloud-like form resembles the shape of the United States. Surrounding it are wavy lines suggesting fluidity. Stylized depictions of dining objects like a fork and spoon are present. Below the central shape, a table setting with a plate of food can be seen. Red, pink, and blue tones are used, creating a sense of movement resembling a whimsical map or surreal dinner scene.
John H. Hunter, Tamarind Institute, Eat Up, America, 1969, lithograph (zinc and stone) in two pinks, violet and light blue on uncalendered Rives paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.688

Eat Up, America

John H. Hunter, Tamarind Institute · 1969 · lithograph (zinc and stone) in two pinks, violet and light blue on uncalendered Rives paper ·  Accession ID  1983.18.688

The image shows a blue circular cylinder merging with a green frog. The handle of the mug attaches to the frog's back, creating a visual connection. The frog has purple eyes and detailed limbs. The creature appears to be in motion, and the combination of the mug and frog creates a whimsical visual experience.
Ken Price, Jean Milant, Tamarind Institute, Double Frog Cup, 1968, color lithograph on Copperplate Deluxe Wove paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.624

Double Frog Cup

Ken Price, Jean Milant, Tamarind Institute · 1968 · color lithograph on Copperplate Deluxe Wove paper ·  Accession ID  1984.34.624

The image shows a person lying down in a coffin-like structure. The individual has a calm expression with stylized features such as a pronounced chin, small lips, and large arched eyebrows. Their hair is styled in a neat bun. They are wearing a long-sleeved top with ribbing details and shorts with striped garter-like attachments and arrow motifs. The person is depicted wearing high heel-like shoes and their hands are clasped over their midsection. The background is filled with dense, textured shading, contrasting with the white structure holding the figure.
Matsumi Kanemitsu, Tamarind Institute, Birth, 1967, lithograph (stone) in black on white Arches paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.38

Birth

Matsumi Kanemitsu, Tamarind Institute · 1967 · lithograph (stone) in black on white Arches paper ·  Accession ID  1984.34.38

The image is of a naked human figure from head to knee, facing forward with arms at their sides. The figure has simplified facial features, straight hair with bangs, and is wearing glasses covering the eyes. There are no clothes or accessories, and a brick wall and stylized plant are in the background.
Gregory Masurovsky, Tamarind Institute, Miss Mormont Pool, 1969, lithograph (stone) in black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.254

Miss Mormont Pool

Gregory Masurovsky, Tamarind Institute · 1969 · lithograph (stone) in black on Copperplate Deluxe paper ·  Accession ID  1984.34.254