Provenance

Mr. and Mrs. Jem Hom

Hom, Jem

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The image depicts a aerial view of a landscape with a valley between rocky cliffs. The scene includes a cityscape in the distance, detailed and textured etching depicting rocks, water, and vegetation, a monochromatic sepia color palette, a body of water with surrounding tall grasses, buildings in the distance, and a sky with soft clouds.
Rodolphe Bresdin, Cite Lointaine, 1868, lithograph, Ailsa Mellon Bruce Fund, 1983.87.1

Cite Lointaine

Rodolphe Bresdin · 1868 · lithograph ·  Accession ID  1983.87.1

The image shows multiple figures, primarily focusing on one person in the foreground. This person is depicted from head to toe, standing upright with a slight turn of the body to their right. Their facial features are gently sketched with a soft expression, and their hair is mostly covered by a large, dark headscarf or hood. Their clothing is a long, dark, full-skirted garment that covers them entirely down to the ground. One of their hands is visible and holds a dark object, possibly a bag or a muff, and the other hand holds what appears to be a light-colored handkerchief or similar item. Surrounding the central figure, there are other individuals in the background wearing hats and dark clothing, seemingly forming a gathering or procession. The background is textured with dark, abstract shapes, set against a light sky. Two small poodle-like dogs are at the feet of the central figure.
Edouard Manet, At the Prado (Au Prado), 1865/1868, etching and aquatint on japanese paper, Ailsa Mellon Bruce Fund, 1983.88.1

At the Prado (Au Prado)

Edouard Manet · 1865/1868 · etching and aquatint on japanese paper ·  Accession ID  1983.88.1

The image depicts a landscape scene with a large tree dominating the left side, a figure in a boat on the right, a calm body of water, and a distant landform on the horizon. The artwork features expressive brushstrokes, a mono-tonal sepia color palette, and a dynamic play of light and shadow.
Jean-Baptiste-Camille Corot, A Lake in the Tyrol (Un lac du Tyrol), 1863, etching in red-brown on wove paper, Ailsa Mellon Bruce Fund, 1984.70.1

A Lake in the Tyrol (Un lac du Tyrol)

Jean-Baptiste-Camille Corot · 1863 · etching in red-brown on wove paper ·  Accession ID  1984.70.1

The painting features a large, circular, yellow shape at the center, surrounded by broad strokes of red and dark teal blue. To the right are dark, irregular teal forms, while below are various colored brushstrokes creating horizontal patterns, along with rectilinear forms suggesting buildings or structures.
Jacob Kainen, Midsummer Night, 1968, watercolor and acrylic paint on laid paper, Gift of the Hom Gallery, 1989.50.4

Midsummer Night

Jacob Kainen · 1968 · watercolor and acrylic paint on laid paper ·  Accession ID  1989.50.4

This image captures a scene looking across a body of water towards a city skyline. The horizon is low in the composition, aligning with the distant line where the city meets the sky. Various buildings and structures, including a prominent domed architecture, dot the horizon. The artwork features delicate, sketchy lines, giving an impression of lightness and fluidity. The color palette is minimal, showcasing natural tones of pencil or charcoal on off-white paper with subtle variations in shading creating depth and texture. Closest to us are several wooden poles in the water, while in the distance, small boats float near the city landscape.
James McNeill Whistler, Venice, 1879/1880, etching with gray wash on wove paper, Julius L. and Anita Zelman Fund, 1984.14.1

Venice

James McNeill Whistler · 1879/1880 · etching with gray wash on wove paper ·  Accession ID  1984.14.1

The image shows an arrangement of lines and geometric shapes forming an abstract composition. Within the scene, there are elements resembling a reclining figure with exaggerated limbs and simple features. Nearby, vertical lines and semi-circular shapes suggest a figure with a large hat or ornate headdress. Curving lines and circular forms resemble eyes and other facial features, conveying a stylized portrayal of human expressions or attire.
Pablo Picasso, Variation on Delacroix's "Women of Algiers": I, 1955, etching in black on wove paper, Rosenwald Print Purchase Fund, 1997.68.1

Variation on Delacroix's "Women of Algiers": I

Pablo Picasso · 1955 · etching in black on wove paper ·  Accession ID  1997.68.1

The image shows intersecting lines and dynamic curves that form an abstract composition, suggesting the shape of a horse and rider. The horse is depicted in motion with arched head and neck, while the rider leans forward holding onto black lines resembling reins. Bright colors like blue, red, and yellow enhance the sense of movement, evoking a racing scene.
Jacob Kainen, Striker, 1935, watercolor over graphite on wove paper, Gift of the Hom Gallery, 1989.50.1

Striker

Jacob Kainen · 1935 · watercolor over graphite on wove paper ·  Accession ID  1989.50.1

The image shows a view from a shaded area beneath a thick canopy of branches extending towards the center. A high horizon line showcases an expansive body of water. Vague silhouettes of distant structures are visible on the horizon. The artwork features intricate dark lines for dense foliage and contrasting highlights indicating sunlight. The color scheme is monochromatic, with primarily black and brown shades creating a dramatic effect. A figure stands on a path close to the water, partially obscured by shadow.
Adolphe Appian, A Villefranche-sur-Mer, 1882, etching with monoprint inking on Japan paper, Ailsa Mellon Bruce Fund, 1985.53.1

A Villefranche-sur-Mer

Adolphe Appian · 1882 · etching with monoprint inking on Japan paper ·  Accession ID  1985.53.1

The image shows a grand staircase and columns of a building, viewed from a low angle. The horizon is not visible, with the focus on the architectural elements and the sky. The sky and trees in the background provide the backdrop. The architectural details, such as carvings on an urn and building façade, are depicted with a precise, linear technique. The color palette includes earth tones, light blues, and greys. In the foreground, an artist sketches on the ground, with period-dressed observers nearby. Columns of the building and sculptures lead the eye upwards to the sky with clouds.
Jean-François Janinet, Colonade et Jardins du Palais Medicis (Colonnade and Gardens of the Medici Palace), c. 1776, etching and wash-manner printed in yellow, blue, red, and blackon pale green paper, Gift of Ivan E. Phillips and Jacqueline Getty Phillips, 1986.30.1

Colonade et Jardins du Palais Medicis (Colonnade and Gardens of the Medici Palace)

Jean-François Janinet · c. 1776 · etching and wash-manner printed in yellow, blue, red, and blackon pale green paper ·  Accession ID  1986.30.1

The image displays an etching featuring a woman standing or kneeling on the right side, with her body slightly turned, head lowered, and hands holding a swaddled infant. Her head is covered with a draped cloth, and she is wearing flowing robes. On the left side, there are figures, one of which seems to have wings. The scene is set in a rustic setting with animals in the foreground, including a donkey. The background is sketched with lines and hatching for texture and depth.
Giovanni Benedetto Castiglione, Joseph Awakened by the Angel, 1635/1640, etching on laid paper, Ailsa Mellon Bruce Fund, 1983.84.1

Joseph Awakened by the Angel

Giovanni Benedetto Castiglione · 1635/1640 · etching on laid paper ·  Accession ID  1983.84.1