Provenance

Jan Johnson

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The image shows a man's side profile view of his upper body and head. The man is facing to the right, showing his right side. He has pronounced facial features including a prominent nose and a thick, curled mustache. His hair is curly with a dense texture. He is wearing a high-collared garment with a visible ruffle around the collar. The garment appears to have a structured design typical of historic clothing. The background features fine line work for a textured effect, and there is a decorative border surrounding the oval frame of the portrait, with text inscribed around the edge.
Melchior Lorch, Hubert Goltzius, 1574, engraving on laid paper, Ailsa Mellon Bruce Fund, 2000.152.2

Hubert Goltzius

Melchior Lorch · 1574 · engraving on laid paper ·  Accession ID  2000.152.2

The image shows a side profile of a man's head and upper shoulders facing to the right. He has a prominent nose, high forehead, bald crown with tufts of hair on the sides, sideburns, and a full beard. He has a neutral expression with eyes looking forward, wearing a dark garment that covers his shoulders. The background is plain with no discernible objects or jewelry in sight. The image is an engraved print with detailed line work.
Karl Stauffer-Bern, Adolph Menzel, 1885, etching and drypoint on chine collé, Given by Art Information Volunteers and Friends in Honor of Christopher B. With, 2009.138.1

Adolph Menzel

Karl Stauffer-Bern · 1885 · etching and drypoint on chine collé ·  Accession ID  2009.138.1

This is a drawing of a storefront with the sign "Siège de la Société des Aqua-fortistes." The image portrays a detailed and ornate facade of a building. The facade showcases a gallery or shop with large glass windows displaying various artworks. Ornamental signs and text embellish the exterior in a style typical of 19th-century architecture. Lighting fixtures and intricate moldings complement the decorative elements of the building. The arrangement of the windows and the structure of the building give depth to the image.
Adolphe Théodore Jules Martial Potémont, Cadart et Luquet, Siège de la Société des Aquafortistes, 1864, etching on wove paper, Ailsa Mellon Bruce Fund, 2013.50.1

Siège de la Société des Aquafortistes

Adolphe Théodore Jules Martial Potémont, Cadart et Luquet · 1864 · etching on wove paper ·  Accession ID  2013.50.1

The image shows a narrow street with rustic buildings on both sides. The viewpoint is slightly elevated, giving a downward angle to the scene. The horizon is obscured by the buildings, with chimneys emitting smoke. The drawing style is etching with fine lines defining textures. The color palette is monochromatic in varying shades of sepia and black. A lamppost is visible in the foreground, and two figures walk down the street. In the background, more architectural elements and fences are visible.
François Bonvin, Rue de Champ de l'Alouette, 1861, etching on laid paper, Ailsa Mellon Bruce Fund, 2006.28.5

Rue de Champ de l'Alouette

François Bonvin · 1861 · etching on laid paper ·  Accession ID  2006.28.5

The image shows a seated half-length portrait of an individual in a finely carved and ornate chair. The person is facing forward with their body turned slightly to one side. Their facial features are detailed, with a prominent nose and a focused expression. The individual has long, curly hair that falls past the shoulders. They are dressed in a heavy, elaborately draped garment with a visible cravat at the neck. In one hand, they hold a large portfolio or folder, and in the other, a stylus or thin baton. The background features a textured, patterned wall with drapery cascading down one side. Text at the bottom of the image identifies the figure as Pierre Mignard and provides additional context about his titles and roles.
Georg Friedrich Schmidt, Pierre Mignard, 1744, engraving on laid paper, Ailsa Mellon Bruce Fund, 2007.119.1

Pierre Mignard

Georg Friedrich Schmidt · 1744 · engraving on laid paper ·  Accession ID  2007.119.1

The image shows a young boy sitting on a rectangular block. He is facing slightly to the side and looking down at the object in his hands. The boy has a youthful face, short dark hair, and wears a long-sleeved coat and loose pants. He is holding a shallow bowl from which steam rises. The background is plain.
François Bonvin, Boy Eating Soup (Enfant mangeant sa soupe), 1861, etching on laid paper, Ailsa Mellon Bruce Fund, 2006.28.3

Boy Eating Soup (Enfant mangeant sa soupe)

François Bonvin · 1861 · etching on laid paper ·  Accession ID  2006.28.3

The image shows a view through a large, dark stone archway onto a sloping street with houses. Two women in 19th-century attire stand in the shadows of the archway. A wooden door is set into the wall to the left. The architectural details feature intricate hatching techniques, creating depth and texture. The color palette is monochromatic with black ink on a light background. In the distance, a village and rolling landscape are partially visible.
François Bonvin, La Porte de St Malo à Dinan, 1871, etching on laid paper, Ailsa Mellon Bruce Fund, 2006.28.9

La Porte de St Malo à Dinan

François Bonvin · 1871 · etching on laid paper ·  Accession ID  2006.28.9

This is a drawing of mythical creatures engaged in a battle. The scene depicts a struggle involving a centaur and two mermen. The centaur is rearing up with legs poised, one merman stands with his fish tail visible, and the other is engaged in a grappling match. Each creature brandishes a club, showcasing movement and conflict. The background features swirling clouds, horizon lines, and the outline of a landscape or rocky coast. The artist uses fine lines and shading to enhance muscle definition and texture of the creatures' bodies, emphasizing their mythical and powerful nature.
Jusepe de Ribera, Battle between a Centaur and a Triton, c. 1620-1640, etching on laid paper, Ailsa Mellon Bruce Fund, 2000.12.1

Battle between a Centaur and a Triton

Jusepe de Ribera · c. 1620-1640 · etching on laid paper ·  Accession ID  2000.12.1

The image shows a child seated in a wooden chair with their full body visible. The child is sitting with their back straight and feet resting on a footstool or small table. The child has a concentrated expression, holding a pair of sticks or utensils. They have short, curly hair and are wearing a long gown or smock. Nearby, there is a small table with a dish containing food remnants, and a piece of bread is on the floor. The background is dark, emphasizing the child and their surroundings.
François Bonvin, Le Dessert, 1862, etching on laid paper, Ailsa Mellon Bruce Fund, 2006.28.8

Le Dessert

François Bonvin · 1862 · etching on laid paper ·  Accession ID  2006.28.8

The image shows a profile view of a man. He is facing to the right, showing his features in a side profile. He has a prominent forehead, a broad nose, and a rounded chin. His hair seems to be short and thick with a slightly wavy texture. The image is monochromatic with dark and light contrasts. There are no visible clothing details as they are rendered in shadow. The name "Klinger" is visible in the lower part of the image. The background is a textured dark surface.
Hubert von Herkomer, Max Klinger, 1890s, Herkomergravure in black on wove paper, Ailsa Mellon Bruce Fund, 2003.19.2

Max Klinger

Hubert von Herkomer · 1890s · Herkomergravure in black on wove paper ·  Accession ID  2003.19.2