Provenance

August Laube

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The image shows two figures. One figure, larger and at the center, stands in shallow water mid-stride while holding a long staff. The figure has a long beard, facial features are prominent, and hair is covered with a head wrap. The person wears a robe, cloak, and has a pouch on the side. A smaller figure, a child, sits on the larger figure's shoulder, holding a small object and depicted with rays from its head. Another hooded figure stands on the shore, looking at the larger figure and holding a staff with a cylindrical item. The background shows a landscape with trees, hills, a sun, moon, and a simple setting.
Sebald Beham, Saint Christopher, c. 1520, woodcut on laid paper, Anonymous Gift, 2003.48.1

Saint Christopher

Sebald Beham · c. 1520 · woodcut on laid paper ·  Accession ID  2003.48.1

The image shows the upper half of a person's body. The person is in a three-quarter view, with their head slightly tilted downward and eyes looking down. Their facial features are soft and gentle with a serene expression. The person has flowing hair framed around their face, covered by a large, draped cloth that envelops the upper body. They hold a portion of the cloth with one hand. The background is a softly textured, neutral space.
Gilles Demarteau the Elder, Young Woman with Her Head Covered, 1767, chalk manner printed in red and black, Gift of Ivan E. and Winifred Phillips, in memory of Neil Phillips, 2002.90.1

Young Woman with Her Head Covered

Gilles Demarteau the Elder · 1767 · chalk manner printed in red and black ·  Accession ID  2002.90.1

This is a drawing of a group of angelic figures surrounding a central figure. The drawing features angelic figures depicted in a classical style with flowing robes and feathered wings, gathered around a central, reclining figure. The scene depicts a moment of care or protection, with the figures intertwined and creating a sense of movement. The drawing is rendered with a subtle use of sepia tones, primarily browns and grays that provide a sense of depth and contour. The strokes are fluid and sketchy, with a dynamic and expressive quality that captures the emotional essence of the scene. The background is left largely unmarked, keeping the focus on the figures and their interactions.
Giovanni Battista Tiepolo, Saint Mary Magdalene Lifted by Angels, c. 1740, pen and brown ink with brown wash over black chalk on laid paper, Woodner Collection, Gift of Andrea Woodner, 2006.11.63

Saint Mary Magdalene Lifted by Angels

Giovanni Battista Tiepolo · c. 1740 · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  2006.11.63

The image shows a seated figure holding a staff. The scene is detailed, with the figure sitting on a structure. Another figure in the foreground is holding a cylindrical object. The background is filled with various elements and figures, adding depth to the image. The figures are depicted with fine lines and hatching for texture and shadows.
Albrecht Altdorfer, The Revenge of the Sorcerer Virgil, c. 1520/1526, engraving on laid paper, Ailsa Mellon Bruce Fund, 1984.77.1

The Revenge of the Sorcerer Virgil

Albrecht Altdorfer · c. 1520/1526 · engraving on laid paper ·  Accession ID  1984.77.1

This is a drawing featuring numerous figures in elaborate garments gathered around a central staircase. The composition is crowded with characters in dynamic poses, interacting with each other in varied expressions. There are architectural elements in the background, including columns, arches, and a distant cityscape. The attire of the characters and the architecture suggest a historical or mythological narrative. The arrangement of the figures suggests a story unfolding, where each character seems to play a role in the drama.
Jacques Bellange, Martyrdom of Saint Lucy, c. 1612-1616, etching, Print Purchase Fund (Rosenwald Collection), 1974.106.1

Martyrdom of Saint Lucy

Jacques Bellange · c. 1612-1616 · etching ·  Accession ID  1974.106.1

This is a drawing of an interior scene depicting a group of individuals interacting in a structured environment. The image displays an interior with large block stones forming walls and arches, along with a hanging chain. In the center, a group of figures is gathered. Among them, three figures are seated; two are draped in cloth and appear to be barefoot. Another figure stands, gesturing towards one of the seated individuals. Additionally, there is a figure leaning over a wall observing the interaction. The scene extends into the background with more figures. The detailed lines and shading techniques emphasize the depth and texture of the architectural elements and figures.
Conrad Meyer, Consolation of the Imprisoned, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 2005.29.7

Consolation of the Imprisoned

Conrad Meyer · · etching with engraving on laid paper ·  Accession ID  2005.29.7

Alexandre Calame, An Ancient Pine Forest with a Mountain Stream, 1847, watercolor and gouache over charcoal on wove paper, Gift of Helen Porter and James T. Dyke, 1999.126.1

An Ancient Pine Forest with a Mountain Stream

Alexandre Calame · 1847 · watercolor and gouache over charcoal on wove paper ·  Accession ID  1999.126.1

The image shows a person hanging from a tree branch. The person is standing on their tiptoes, gripping the branch with one arm. They have a detailed facial expression with closed lips and wavy hair flowing around their face and shoulders. The person's body is muscular and partly exposed, wearing draped clothing. The background features a textured, cross-hatched pattern, particularly on the tree trunk. Various lines in the image create depth and shadow.
Bartholomaeus Spranger, St. Sebastian, Bound to a Tree, c. 1589, etching on laid paper with handwritten note, Gift of Ruth Cole Kainen, 2012.92.152

St. Sebastian, Bound to a Tree

Bartholomaeus Spranger · c. 1589 · etching on laid paper with handwritten note ·  Accession ID  2012.92.152

The image shows four individuals in various positions. One person is partially unclothed, resting on another person's lap. A third person is kneeling nearby, and a fourth person is standing holding something. The scene takes place in a cave with a rocky backdrop and outdoor scenery visible.
Conrad Meyer, Burying the Dead, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 2005.29.8

Burying the Dead

Conrad Meyer · · etching with engraving on laid paper ·  Accession ID  2005.29.8

The image depicts a view of a river winding through a lush green landscape. A cascade creates ripples in the river and trees with impressionistic brushstrokes form a canopy overhead. The color palette consists mainly of greens and browns, with hints of blue from the river. In the distance, several cattle stand in the water, and closer by, a figure walks with dogs along a sunlit path.
Conrad Gessner, Sunlight Filtering through Trees along the River Sihl, 1792, watercolor and gouache on wove paper, laid down on board, Ailsa Mellon Bruce Fund, 2016.41.1

Sunlight Filtering through Trees along the River Sihl

Conrad Gessner · 1792 · watercolor and gouache on wove paper, laid down on board ·  Accession ID  2016.41.1

Bibliography

1994

  • Unbekannter Aargau. Ansichten des 18. und 19. Jahrhunderts aus der Sammlung Laube. Graphische Sammlungen in Staatsarchiv des Katnons Aargau. Exh. Cat. Aargau, 1994