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Galerie Kurt Meissner

Galerie Kurt Meissner

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The image depicts a woman seated in a turned position, with an updo and a headscarf. She wears a robe and drop earrings, with her hands resting in her lap. In the background, there are swirling patterns.
Hendrick Goltzius, Urania, gray and brown chalk with pen and brown ink (the head, the undergarment, and the right hand are traced with pen and black ink), Ailsa Mellon Bruce Fund, 1984.76.1

Urania

Hendrick Goltzius · · gray and brown chalk with pen and brown ink (the head, the undergarment, and the right hand are traced with pen and black ink) ·  Accession ID  1984.76.1

The image features a pencil drawing of a landscape from an elevated perspective. A building stands on a cliff to the left, overlooking a deep ravine with lush vegetation. The ravine is characterized by rocky walls and trees, creating a textured landscape. The horizon line is high in the composition, adding depth to the scene. The drawing shows soft, careful pencil strokes for outlines and shading, with a monochromatic color palette of graphite gray tones.
Friedrich Salathé, Fortified Castle Above a Narrow Valley, graphite on wove paper, Gift of Mr. and Mrs. Kurt Meissner, 2001.49.3

Fortified Castle Above a Narrow Valley

Friedrich Salathé · · graphite on wove paper ·  Accession ID  2001.49.3

The image shows a landscape with a horizon where land meets the sea. The horizon is near the upper third of the image, emphasizing the expanse. Hills and a coastal line are visible in the distance, adding depth. The sketch uses a light monochrome palette with brown and gray washes, loose brushstrokes for texture. Rocky outcrops and trees are depicted closer to the viewer, blending into the pale sky. Ink and graphite lines indicate fine details of vegetation and structures.
Friedrich Salathé, View of the Islands of Nisida and Capri, probably 1819, graphite and brown wash on laid paper, Gift of Kurt Meissner, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.155.2

View of the Islands of Nisida and Capri

Friedrich Salathé · probably 1819 · graphite and brown wash on laid paper ·  Accession ID  1991.155.2

The image shows two figures, a woman holding a child while standing on a crescent moon. The woman has loose hair, wears a long garment, and a crown with stars. The child points upward. To the left is a kneeling figure, wearing a dress with curled hair. The background is simple.
Georg Neher, Madonna and Child Appearing to a Supplicant, c. 1600, pen and black ink and gray wash on laid paper, Gift of Mr. and Mrs. Kurt Meissner, 2001.49.1

Madonna and Child Appearing to a Supplicant

Georg Neher · c. 1600 · pen and black ink and gray wash on laid paper ·  Accession ID  2001.49.1

The image shows a drawing of a man posed from head to just above his knees. He is standing with his left leg slightly bent, holding a hat in his left hand and his cloak in his right hand. The man has distinct facial features including a prominent chin, slightly arched eyebrows, and a composed expression. His short hair is receding at the front and appears to be brushed back. He is dressed in a large, ruffled collar, a long-sleeved garment, and a cloak over his shoulders. The background is plain, emphasizing the man's portrait.
Sir Anthony van Dyck, Portrait of a Man Standing, black and red chalk with charcoal on laid paper, Ailsa Mellon Bruce Fund, 1972.15.1

Portrait of a Man Standing

Sir Anthony van Dyck · · black and red chalk with charcoal on laid paper ·  Accession ID  1972.15.1

The image shows two robed figures meeting in an outdoor architectural setting. The background features archways, columns, and stone buildings. The central figures are engaged in a discussion, with one extending a hand towards the other. One figure has a pointed beard and a large hat, while the other is bald. Other figures are present, with one holding dogs. The scene has depth, with figures in the foreground and background. The drawing is detailed, depicting ornate attire and architectural elements.
Karel van Mander I, The Departure of the Prodigal Son, pen and brown ink with brown wash heightened with white on laid paper, Ailsa Mellon Bruce Fund, 1984.48.2

The Departure of the Prodigal Son

Karel van Mander I · · pen and brown ink with brown wash heightened with white on laid paper ·  Accession ID  1984.48.2

The image shows a landscape with an old tree in the center, another tree in the distance, and a soft horizon line. The tree is detailed with pencil strokes for the bark and foliage, in grayscale tones. The background is blurry, highlighting the main tree in the foreground.
Friedrich Salathé, An Ancient Tree with Figures in a Landscape, c. 1835, graphite on wove paper, Gift of Mr. and Mrs. Kurt Meissner, 2003.21.2

An Ancient Tree with Figures in a Landscape

Friedrich Salathé · c. 1835 · graphite on wove paper ·  Accession ID  2003.21.2

The image features a sketch of a woodland scene. The point of view is from ground level, showing densely drawn trees that extend to the edges of the composition. The technique uses intricate pencil or ink lines to depict foliage and tree trunks, with a monochromatic color palette dominated by shades of sepia or light brown. Closest to us is a large, aged tree with a twisted trunk and sprawling branches. Other trees, less detailed, recede into the distance, creating depth in the image. The lines convey a natural setting.
Friedrich Salathé, Grove of Trees [verso], c. 1835, pen and black ink over graphite on wove paper, Gift of Mr. and Mrs. Kurt Meissner, 2002.47.1.b

Grove of Trees [verso]

Friedrich Salathé · c. 1835 · pen and black ink over graphite on wove paper ·  Accession ID  2002.47.1.b

The image depicts an aerial perspective of a landscape. The horizon is high, showing a rolling terrain under a sky with light blue and soft beige clouds. A tall structure, possibly a tower, is in the foreground with sketchy tree outlines. Further back, there are brown patches indicating hills or cliffs, and more textured lines suggesting vegetation or structures. The color palette is muted with pastel tones and browns, and pencil lines are visible, giving the sketch a spontaneous, unfinished look.
Friedrich Salathé, Ruins of a Fortified Tower among Wooded Hills [recto], 1816/1821, brown wash and watercolor over graphite on wove paper, Gift of Mr. and Mrs. Kurt Meissner, 2002.47.1.a

Ruins of a Fortified Tower among Wooded Hills [recto]

Friedrich Salathé · 1816/1821 · brown wash and watercolor over graphite on wove paper ·  Accession ID  2002.47.1.a

This is a drawing of a religious scene featuring angelic figures and symbols. The image shows a figure in a robe kneeling with hands clasped, surrounded by cherubic figures. Above them are swirling clouds, decorative elements, and a radiant triangle emitting light. The drawing is created in a style reminiscent of baroque religious art.
Joseph Christ, Saint Augustine's Zealous Love of God, pen and gray ink with gray wash and white heightening, incised for transfer on laid paper, Gift of Mr. and Mrs. Kurt Meissner, 2001.4.1

Saint Augustine's Zealous Love of God

Joseph Christ · · pen and gray ink with gray wash and white heightening, incised for transfer on laid paper ·  Accession ID  2001.4.1