Provenance

Mr. Armando Neerman

Explore Selected Works

See all 20 works of art
Pier Francesco Mola, The Angel Appearing to Hagar in the Desert, c. 1660, red chalk on laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.130.b

The Angel Appearing to Hagar in the Desert

Pier Francesco Mola · c. 1660 · red chalk on laid paper ·  Accession ID  2007.111.130.b

Pier Francesco Mola, The Angel Appearing to Hagar in the Desert (recto), c. 1660, brush and pen and brown ink with brown wash over black chalk on light beige laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.130.a

The Angel Appearing to Hagar in the Desert (recto)

Pier Francesco Mola · c. 1660 · brush and pen and brown ink with brown wash over black chalk on light beige laid paper ·  Accession ID  2007.111.130.a

Bartolomeo Coriolano, The Fall of the Giants, 1641, chiaroscuro woodcut printed on 4 sheets joined together, Andrew W. Mellon Fund, 1976.78.1

The Fall of the Giants

Bartolomeo Coriolano · 1641 · chiaroscuro woodcut printed on 4 sheets joined together ·  Accession ID  1976.78.1

Giovanni Battista Piranesi, Prisoners on a Projecting Platform, published 1749/1750, etching, engraving, sulphur tint or open bite, burnishing, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.8

Prisoners on a Projecting Platform

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving, sulphur tint or open bite, burnishing ·  Accession ID  1976.35.8

Giovanni Battista Piranesi, The Arch with a Shell Ornament, published 1749/1750, etching, engraving, scratching, sulphur tint or open bite, drypoint, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.9

The Arch with a Shell Ornament

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving, scratching, sulphur tint or open bite, drypoint ·  Accession ID  1976.35.9

Giovanni Battista Piranesi, The Grand Piazza, published 1749/1750, etching, engraving, sulphur tint or open bite, burnishing, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.3

The Grand Piazza

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving, sulphur tint or open bite, burnishing ·  Accession ID  1976.35.3

Giovanni Battista Piranesi, The Giant Wheel, published 1749/1750, etching, engraving, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.7

The Giant Wheel

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving ·  Accession ID  1976.35.7

Giovanni Battista Piranesi, The Round Tower, published 1749/1750, etching, engraving, sulphur tint or open bite, burnishing, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.2

The Round Tower

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving, sulphur tint or open bite, burnishing ·  Accession ID  1976.35.2

Giovanni Battista Piranesi, The Pier with Chains, published 1749/1750, etching, engraving, sulphur tint or open bite, burnishing, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.14

The Pier with Chains

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving, sulphur tint or open bite, burnishing ·  Accession ID  1976.35.14

Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, W.G. Russell Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore Funds, 1976.35.1

Title Plate

Giovanni Battista Piranesi · published 1749/1750 · etching, engraving, sulphur tint or open bite ·  Accession ID  1976.35.1