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John Nicholson Gallery

John P. Nicholson

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We hover low over a body of choppy water in front of several rowboats filled to capacity with light-skinned men jostling and fighting each other amid larger wooden ships in this horizontal painting of a naval battle. The water transitions from tan and pale green near us to sage green in the background. A few of the men are bare-chested but most wear a wide range of colorful military uniforms or the full-sleeved shirts of sailors. A few vignettes within the bustling, action-filled boats draw our attention. For instance, at the center of the hubbub, two men wearing white shirts lean over the stern of a crowded boat, pulling two submerged men out of the water. Three other men float nearby, only their heads peeking above the water. In the same boat, another rescuer reaches for a man in the water, while yet another has pulled an unconscious or lifeless man into his arms. That rowboat bumps into several others filled with men weilding swords, long muskets, and perhaps spears. Much of the activity swirls around two men who stand in the boats to our right. One man wearing a fawn-brown uniform with gold embellishments, a white neck cloth, and a brown hat with red feathers brandishes a sword as he seizes the shirttails of a man wearing blue. The man in blue steps into another boat and clutches the mast as he raises his own sword up over his head. With eyes and mouth wide open, he looks over his shoulder toward the man in brown. Boats to our left are also filled with men but they sit in orderly rows. One man wearing a rust-orange suit and white plumed hat holds a sword in front of his body and raises his other pointer finger. A man blows a long horn behind the standing man. Other rowboats fill the space behind these, and surround three large wooden, ornately carved and decorated ships beyond. The carved insignia of the rightmost ship looms close to us along the right edge of the canvas; boats swarm around another ship in the distance at center; and flame and smoke billow from the ship to our left.
Benjamin West, The Battle of La Hogue, 1778, oil on canvas, Andrew W. Mellon Fund, 1959.8.1

The Battle of La Hogue

Benjamin West · 1778 · oil on canvas ·  Accession ID  1959.8.1

Three young boys, four girls, and a dark brown dog gather in a loose semi-circle in a grassy clearing near a grove of trees in this horizontal landscape painting. The children all have pale skin with flushed cheeks, brown hair, and dark eyes. The girls wear corseted dresses with long skirts and cap-like bonnets, and the boys wear jackets with tails, knee-length pants, stockings, and black shoes with buckles. The three boys look at us while the four girls look around the scene. A long plank of wood has been laid across a thick, sawed tree trunk to make a seesaw. One boy, wearing fawn brown, sits on one end near the ground, to our left. The oldest girl braces the youngest on the opposite end of the plank, which is lifted into the air. The oldest girl wears a sheer, white apron over a coral-pink dress. Like the other two girls, the youngest child wears a white dress but hers has a pink sash and pink ribbons are tied into her and the oldest girl’s white caps. A boy wearing a moss-green suit looks at us and raises his dark cap in one hand as he stands balanced with his feet widely planted at the center of the angled plank of wood. To our right and closer to us, one of the younger girls, wearing a topaz-blue sash with a blue ribbon in her cap, stands in front of the oldest boy, who holds a tall staff that reaches off the top edge of the painting in the crook of one elbow. This boy holds a small silver fish in both hands. The girl touches one of his hands with her own, and looks up at the fish. The fourth girl and the dog sit on the ground at the front center of the painting. The dog rests its front legs across her lap and she looks off to our right. A pool of water reflects light in the lower right corner of the painting, and a deeply shadowed, verdant forest frames the rightmost third of the composition. Upon closer inspection, we find an open basket and red cloth near the water, almost lost in shadow near the lower right corner of the painting. Beyond the group of children, a tree-filled valley leads back to another body of water and hills in the deep distance to our left, and a few pale gray clouds float across a blue sky.
Johann Zoffany, The Lavie Children, c. 1770, oil on canvas, Paul Mellon Collection, 1983.1.48

The Lavie Children

Johann Zoffany · c. 1770 · oil on canvas ·  Accession ID  1983.1.48

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting. The horizon comes about halfway up the composition, and is lined with hazy mountains and clouds in the deep distance. Close examination slowly reveals minuscule birds tucked into the crimson-red, golden yellow, and deep, sage-green leaves of the trees to either side of the painting. Closest to us, vine-covered, fallen tree trunks and mossy gray boulders line the bottom edge of the canvas. Beyond a trickling waterfall and small pool near the lower left corner, and tiny within the scale of the landscape, a group of three men and their dogs sit and recline around a blanket and a picnic basket, their rifles leaning against a tree nearby. The land sweeps down to a grassy meadow crossed by a meandering stream that winds into the distance, at the center of the painting. Touches of white and gray represent a flock of grazing sheep in the meadow. A low wooden bridge spans the stream to our right, and a few cows drink from the riverbank. Smoke rises from chimneys in a town lining the riverbank and shoreline beyond, and tiny white sails and steamboats dot the waterway. Light pours onto the scene with rays like a starburst from behind a lavender-gray cloud covering the sun, low in the sky. The artist signed the painting as if he had inscribed the flat top of a rock at the lower center of the landscape with his name, the title of the painting, and date: “Autumn – on the Hudson River, J.F Cropsey, London 1860.”
Jasper Francis Cropsey, Autumn - On the Hudson River, 1860, oil on canvas, Gift of the Avalon Foundation, 1963.9.1

Autumn - On the Hudson River

Jasper Francis Cropsey · 1860 · oil on canvas ·  Accession ID  1963.9.1