Ehrich Galleries

est. 1903

Explore Selected Works

See all 19 works of art
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Portrait of a Girl

British 18th Century · c. 1730 · oil on canvas ·  Accession ID  1963.10.144

French 18th Century, Young Woman with a Muff, c. 1750, oil on canvas, Chester Dale Collection, 1943.7.5

Young Woman with a Muff

French 18th Century · c. 1750 · oil on canvas ·  Accession ID  1943.7.5

Samuel Lovett Waldo, Robert G. L. De Peyster, 1828, oil on wood, Andrew W. Mellon Collection, 1942.8.38

Robert G. L. De Peyster

Samuel Lovett Waldo · 1828 · oil on wood ·  Accession ID  1942.8.38

Chester Harding, Charles Carroll of Carrollton, c. 1828, oil on canvas, Gift of Mr. and Mrs. Alexander Dallas Thayer, 1956.15.1

Charles Carroll of Carrollton

Chester Harding · c. 1828 · oil on canvas ·  Accession ID  1956.15.1

Frans van Doornik, Isaac de Peyster (?), 1731, oil on canvas, Chester Dale Collection, 1963.10.135

Isaac de Peyster (?)

Frans van Doornik · 1731 · oil on canvas ·  Accession ID  1963.10.135

Shown from the thighs up, a pale-skinned woman looks down and off to our left as she holds the pointed end of a dagger toward her chest in this vertical painting. Her lips are slightly parted, and her arms are spread wide as holds the hilt of the dagger in her right hand, to our left. Her hooded, dark brown eyes are rimmed with red. Her head tilts to our left, her pale lips parted. There are gray shadows at the corners of her mouth and along her jawline. Her brown hair is pulled back under a cloth covering painted with white flecks to suggest shiny thread or possibly jewels. She wears a long, tawny-brown gown with diaphanous sleeves. The bodice is laced up over a cream-white undergarment with a deep V neck and voluminous sleeves with unfastened cuffs near her wrists. She wears a large, teardrop-shaped pearl in the ear we can see and two necklaces. One necklace is a strand of pearls, and the other is a gold and possibly jeweled pendant with another teardrop pearl hanging from a cord. A gold belt drapes around her hips over a narrow waist. She is warmly lit from the upper left and set against an earth-brown background. The artist signed and dated the center left, “Rembrandt 1664.”
Rembrandt van Rijn, Lucretia, 1664, oil on canvas, Andrew W. Mellon Collection, 1937.1.76

Lucretia

Rembrandt van Rijn · 1664 · oil on canvas ·  Accession ID  1937.1.76

Carl Fredrik von Breda, Mrs. William Hartigan, 1787/1796, oil on canvas, Andrew W. Mellon Collection, 1942.8.15

Mrs. William Hartigan

Carl Fredrik von Breda · 1787/1796 · oil on canvas ·  Accession ID  1942.8.15

Frans van Doornik, Anna de Peyster (?), 1731, oil on canvas, Chester Dale Collection, 1963.10.134

Anna de Peyster (?)

Frans van Doornik · 1731 · oil on canvas ·  Accession ID  1963.10.134

American 19th Century, Portrait of a Lady, c. 1825, oil on canvas, Chester Dale Collection, 1943.1.6

Portrait of a Lady

American 19th Century · c. 1825 · oil on canvas ·  Accession ID  1943.1.6

Against a landscape, a pale-skinned man walking hunched over as he carries a large bundle like pillows wrapped in a blanket on his back nearly fills this vertical painting. Close to us, the man walks to our right with his head down and his eyes closed or downcast under straight, furrowed brows. He has a wide, prominent nose, a brown beard, and close-cropped hair. With muscled forearms arms raised overhead, he clutches the forest-green cloth tied around the bundle, which has cloth with dark green stripes against cream white. The man wears a red, waist-length tunic over an ankle-length, bright white garment, which splits up the side to show his muscular legs and bare feet. He strides across a moss-green rock. On the far side of the rock on which he stands, to our left, a sand-brown path curves away from us to the wide, arched opening of a building. The structure has gray walls, possibly stone, with goldenrod-yellow paneling around the second story, and a red roof. At the arched opening, a couple dozen people, tiny in scale, gather around a person who stands and gestures with arm extended over a second person lying on a cloth. The four corners of the cloth are suspended by four ropes, barely visible, where the cloth had been lowered to the ground from above, presumably from the four people on the roof. The people in the crowd wear robes in mustard yellow, navy blue, plum purple, dark red, and white. Another building and a stone tower rise beyond the structure. To our right, the land dips down to the horizon line, which comes about a quarter of the way up the painting. People walk along the distant path that passes in front of a house at the foot of a steel-blue, rocky outcropping. A leafy tree grows where the road bends out of sight, and bands of white clouds stretch across the pale, muted turquoise sky.
Netherlandish 16th Century, The Healing of the Paralytic, c. 1560/1590, oil on panel, Chester Dale Collection, 1943.7.7

The Healing of the Paralytic

Netherlandish 16th Century · c. 1560/1590 · oil on panel ·  Accession ID  1943.7.7