Baron Maurice de Rothschild

1881 - 1957

Explore Selected Works

Alfred André, Pendant with Europa and the Bull, 1870/1890, baroque pearl; gold enameled in white, black, dark green, pale blue, translucent red, green, yellow, and blue; 22 colorless stones (sapphires, diamonds), 1 blue sapphire, 19 red stones (rubies, glass), 6 pearls, Widener Collection, 1942.9.304

Pendant with Europa and the Bull

Alfred André · 1870/1890 · baroque pearl; gold enameled in white, black, dark green, pale blue, translucent red, green, yellow, and blue; 22 colorless stones (sapphires, diamonds), 1 blue sapphire, 19 red stones (rubies, glass), 6 pearls ·  Accession ID  1942.9.304

A man bows to a woman as another man looks on from the shadowy background, while a woman sitting at a table plays a lute in this vertical painting. All the people have pale skin. The bowing man enters from an open door to our left. He faces our right in profile and has a bumped nose, a dark mustache, and his brown hair falls loosely over his shoulders. He wears a voluminous, black jacket that has a wide white collar and flat, plate-like, starched white cuffs. He bends forward with one foot stretched in front of him, as he gazes at the woman to our right. His hands are spread wide. His left forefinger and thumb touch to make an O shape, and he holds a wide-brimmed, black hat in his right hand, closer to us. At the center of the composition, the woman wears a dress with a coral-pink bodice and a cream-white satin skirt trimmed with gold down the front and around the hem. She faces our left in profile and looks at the man, her cheeks flushed. Her eyebrows are slightly raised over dark eyes, and she has a straight nose and the hint of a double chin. Her blond hair is pulled back under a lace covering, and curls frame her face. A black ribbon is tied into a bow at the shoulder closer to us. A brown and white dog, about knee-high, stands between the man and woman. To our right, a young woman sits at the far side of a table playing a lute. She wears a sapphire-blue dress and looks down at her instrument. One elbow is propped on the patterned rug that covers the table. A second instrument, perhaps a cello, lies on the table, and a wooden chair with a pine-green upholstered seat has been pulled up to our side of the table. Almost lost in the shadows at the back of the room between the two women, a man with a goatee and wearing a brown jacket and trousers stands with his body angled to our right as he looks over his shoulder at the couple at the door. He stands in front of a fireplace with an opening so large that the mantle is supported by columns as tall as the man.
Gerard ter Borch the Younger, The Suitor's Visit, c. 1658, oil on canvas, Andrew W. Mellon Collection, 1937.1.58

The Suitor's Visit

Gerard ter Borch the Younger · c. 1658 · oil on canvas ·  Accession ID  1937.1.58

Venetian 17th Century, Tiziano Aspetti, Andiron with Figure of Venus, c. 1600/1675, bronze, Samuel H. Kress Collection, 1961.9.101

Andiron with Figure of Venus

Venetian 17th Century, Tiziano Aspetti · c. 1600/1675 · bronze ·  Accession ID  1961.9.101

Shown from the lap up, a pale-skinned woman wearing a floral-print dress holds a black lap dog in this vertical portrait painting. The woman’s body is angled to our right, and she gently smiles as she looks slightly down in that direction with blue eyes. She has a round face, rosy, smooth cheeks, pale pink lips, and a double chin. Her brown hair is mostly covered by a hat with a brown brim and pale yellow crown. A bloom of white feathers nestles at the top front of the hat. Her dress is pale pink with a floral pattern painted with dabs of yellow, red, blue, and green. A burgundy-red bow is tied around her neck and lies limply down her chest. The woman wears gold bracelets over pale olive-green gloves that stretch almost to her elbows. Her fingers are interlaced as she holds the shaggy black dog in her lap. The dog’s front paws rest over the woman’s right forearm, to our left. A table in the background to the right holds a wide-mouthed, lapis-blue vase painted with a yellow and orange bird and white flowers. The vase holds at least a dozen pink, red, and white flowers and greenery. The background is painted with strokes of turquoise and mint green. Some brushstrokes are visible, as in the flowers and the woman’s dress, and some brushstrokes are blended, as in the woman’s face. The artist signed the painting near the bottom right corner, “Renoir 83.”
Auguste Renoir, Mlle Charlotte Berthier, 1883, oil on canvas, Gift of Angelika Wertheim Frink, 1969.10.1

Mlle Charlotte Berthier

Auguste Renoir · 1883 · oil on canvas ·  Accession ID  1969.10.1

Two crowds made up of dozens of men each clash on the dirt floor of an outdoor arena in this horizontal painting. The scene is loosely painted and most details are indistinct. Many of the men wear black caps and have peach or brown-colored faces. The group to our left surges near a flagpole. The group to our right eddies around a dark brown bull that stamps front feet firmly on the ground. Both groups are enlivened by swirls of buttercup yellow, scarlet red, powder blue, and bright white. One man wearing white crouches, bare bottomed, on the ground in front of the bull. More people gathered on the far side of the arena and beyond its walls pare painted with strokes and dabs of pearl white, rust red, golden brown, dark gray, ochre yellow, and black.
Eugenio Lucas Villamil, The Bullfight, c. 1890/1900, oil on canvas, Gift of Arthur Sachs, 1954.10.1

The Bullfight

Eugenio Lucas Villamil · c. 1890/1900 · oil on canvas ·  Accession ID  1954.10.1

Venetian 17th Century, Andiron with Figure of Mars, c. 1600/1675, bronze, Samuel H. Kress Collection, 1961.9.100

Andiron with Figure of Mars

Venetian 17th Century · c. 1600/1675 · bronze ·  Accession ID  1961.9.100