Marshal Nicolas Jean de Dieu Soult, Duke of Dalmatia

Dalmatia Nicolas J. de Dieu Soult, Duke of

French, 1769 - 1851

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A barefoot man wearing tattered clothing, with his hands clasped at his chest, kneels at the feet of an old, bearded man in this almost square painting. The pair is flanked by five people on our right and a man, boy, and calf on our left. All the people have pale skin. The kneeling man faces our right in profile and tilts his head up to look at the old man who embraces him. The younger man has shaggy, dark brown hair and a heavy five o'clock shadow. A small white dog jumps at his dirty, bare feet. The old man has a long gray beard and wears a black skullcap over gray hair. His voluminous dusty rose-pink cloak drapes over a teal-blue robe. To our right of the pair are a child, a woman, and three men. Some look at the embracing men while the others look at each other. At the front of that grouping, two men have brown hair and wispy mustaches. One wears a golden-yellow tunic and holds a silver tray piled with a shimmering sky-blue and pale pink garment, a bright white shirt, and a pair of sandals. Just beyond him and looking into his face, the second man wears gray with a dark green cloak draped over one shoulder. He holds up a gold ring with a ruby-red stone. To our left of the embracing men, a smiling blond boy leads the calf into the scene. Just beyond him is a thin, muscular man carrying an ax over one shoulder as he gazes down at the boy. The scene is set in a courtyard with walls that extend back on either side. Billowing putty-gray and white clouds fill the background.
Bartolomé Esteban Murillo, The Return of the Prodigal Son, 1667/1670, oil on canvas, Gift of the Avalon Foundation, 1948.12.1

The Return of the Prodigal Son

Bartolomé Esteban Murillo · 1667/1670 · oil on canvas ·  Accession ID  1948.12.1

Bibliography

1982

  • Brigstocke, Hugh. William Buchanan and the 19th Century Art Trade: 100 Letters to His Agents in London and Italy. New Haven, 1982: 474.