Provenance

French & Company LLC

active 1940s

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Master of the Starck Triptych, Saint Barbara [left wing exterior], c. 1480/1490, oil on panel, Patrons' Permanent Fund, 1997.100.1.c

Saint Barbara [left wing exterior]

Master of the Starck Triptych · c. 1480/1490 · oil on panel ·  Accession ID  1997.100.1.c

Master of the Starck Triptych, Saint Catherine [right wing exterior], c. 1480/1490, oil on panel, Patrons' Permanent Fund, 1997.100.1.b

Saint Catherine [right wing exterior]

Master of the Starck Triptych · c. 1480/1490 · oil on panel ·  Accession ID  1997.100.1.b

A wooden, T-shaped cross, with a man nailed to its crossbeam, is raised so it stands vertically as men and women look on against a grassy, hilly landscape in this horizonal painting. The painting is made up of three parts: a vertical rectangular panel at the center and a tall, narrow rectangular panel to each side. The people all have pale, ruddy, or tanned skin. The cross is being pushed up from behind by two men with poles and pulled up on the front side by three men pulling on two ropes. The man on the cross, Jesus, is nude except for a white cloth across his hips. Blood trickles from nails holding his hands in place, the single nail driven through both feet, and a ring of thorns across his forehead. His long brown hair hangs down over his shoulder, and he has a full, trimmed beard. His red-rimmed eyes slope downward as he looks down to the crowd below. His mouth is closed. The people in the crowd at the base of the cross wear dresses, robes, and turbans in shades of ruby red, grass green, lapis blue, pale yellow, carnation pink, and bright white. Three men push and pull on the base of the cross, driving it into a hole dug in the dirt ground. Eleven men and one child look on from our left, some with gaping mouths. One of the two men pulling on one of the ropes to our right wears tattered blue clothing, and his toes poke out of the shoe we can see. The other man there is barefoot and has a prominent hooked, red nose and a pointed beard. A red cowl covers his head over a tunic striped with lemon yellow and brown. An inscription on that man’s sleeve reads, “OHAIR.” Two men stand in the lower left corner of this panel. One looks at the cross and the other looks out at us, while pointing up to Jesus. Two human skulls and other bones litter the ground around the cross. Two more wooden crosses and some rope lie on the ground near us. Two dogs romp together nearby, next to a coat of arms showing a crowned man wearing a red robe and holding two pointed staffs. In the panel to our left, a woman wearing an azure-blue robe, Mary, interlaces her fingers and flips her hands palm-down, as she looks at the ground. Another woman in front of her kneels and holds her interlaced hands up by her face, elbows high. A woman and a cleanshaven man stand near Mary, and to our left, a woman wearing emerald green holds a cloth with Jesus’s face on it. Four more men and women look on, the women crying. In the panel to our right, a man in a red robe and a man wearing armor sit on horses. The armored man gestures up at Jesus. Two more men sit on horses behind this pair, and six stand among and in front of the group. Two men sit, one with his hands tied behind his back, near the lower right corner of this panel. The bound man is bald and looks down. The man behind him has a brown beard and hair, and looks up at Jesus. Across all three panels, the scene takes place on a smooth, dirt ground. Grassy hills rise beyond the cross to higher peaks in the left and right panels. Paths or roads wind into the distance to a town on the horizon, which comes about two-thirds of the way up the composition. Hazy in the distance, a city wall encloses steeples and buildings, and a bridge spans a body of water leading up to the city. Gray clouds begin to tumble across the sky from our right. The sky is nearly white along the horizon and deepens to watery blue along the top edges of the panels.
Master of the Starck Triptych, The Raising of the Cross [center, left, and right panels], c. 1480/1490, oil on panel, Patrons' Permanent Fund, 1997.100.1.a

The Raising of the Cross [center, left, and right panels]

Master of the Starck Triptych · c. 1480/1490 · oil on panel ·  Accession ID  1997.100.1.a

Kashan 16th Century, Silk Medallion Rug, late 16th century, silk pile on silk warp and weft, Widener Collection, 1942.9.478

Silk Medallion Rug

Kashan 16th Century · late 16th century · silk pile on silk warp and weft ·  Accession ID  1942.9.478

Netherlandish 16th Century, The Four Cardinal Virtues: Temperance, c. 1550/1600, undyed wool warp, dyed wool and dyed silk, Ailsa Mellon Bruce Collection, 1970.20.5.b

The Four Cardinal Virtues: Temperance

Netherlandish 16th Century · c. 1550/1600 · undyed wool warp, dyed wool and dyed silk ·  Accession ID  1970.20.5.b

Netherlandish 16th Century, The Four Cardinal Virtues: Fortitude, c. 1550/1600, undyed wool warp, dyed wool and dyed silk, Ailsa Mellon Bruce Collection, 1970.20.5.d

The Four Cardinal Virtues: Fortitude

Netherlandish 16th Century · c. 1550/1600 · undyed wool warp, dyed wool and dyed silk ·  Accession ID  1970.20.5.d

Netherlandish 16th Century, The Four Cardinal Virtues: Justice, c. 1550/1600, undyed wool warp, dyed wool and dyed silk, Ailsa Mellon Bruce Collection, 1970.20.5.c

The Four Cardinal Virtues: Justice

Netherlandish 16th Century · c. 1550/1600 · undyed wool warp, dyed wool and dyed silk ·  Accession ID  1970.20.5.c

Netherlandish 16th Century, The Four Cardinal Virtues: Prudence, c. 1550/1600, undyed wool warp, dyed wool and dyed silk, Ailsa Mellon Bruce Collection, 1970.20.5.a

The Four Cardinal Virtues: Prudence

Netherlandish 16th Century · c. 1550/1600 · undyed wool warp, dyed wool and dyed silk ·  Accession ID  1970.20.5.a

Tyrolean 15th Century, Portrait of a Man, c. 1490/1500, oil on panel, Samuel H. Kress Collection, 1952.5.71

Portrait of a Man

Tyrolean 15th Century · c. 1490/1500 · oil on panel ·  Accession ID  1952.5.71

Venetian 17th Century, Tiziano Aspetti, Andiron with Figure of Venus, c. 1600/1675, bronze, Samuel H. Kress Collection, 1961.9.101

Andiron with Figure of Venus

Venetian 17th Century, Tiziano Aspetti · c. 1600/1675 · bronze ·  Accession ID  1961.9.101