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Pedro Escat

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Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left, against a ledge and holds a black top hat in that hand in this vertical portrait painting. His body faces us and he looks slightly off to our left, as if just over our left shoulder, with dark eyes. He has a wide nose, his pale pink lips are closed, and he has the hint of a five o’clock shadow on his square jaw and cleft chin. Sideburns come down past his ears, and straight brown hair falls in long bangs over his forehead and around his eyes and ears. White cloth wraps around his neck and is tied in a knot at the base of his throat. His white vest is striped faintly with light blue. Over that, his gray jacket has a black collar at the back and wide, gray lapels that reach his shoulders. The jacket is fitted to his waist, where it is buttoned, and then flares out into the shadows at his knees. Silver buttons gleam in the light from our left, down that side of the jacket. His left fist, on our right, rests against his hip as he leans on his other elbow, presumably on a ledge or high table. He holds the black top hat in that hand so we see the crimson-red lining within. The dark background behind him is subtly streaked with brick and coffee brown.
Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, Gift of Mr. and Mrs. P.H.B. Frelinghuysen in memory of her father and mother, Mr. and Mrs. H.O. Havemeyer, 1941.10.1

Bartolomé Sureda y Miserol

Francisco Goya · c. 1803/1804 · oil on canvas ·  Accession ID  1941.10.1

Shown from the knees up, a pale-skinned woman wearing a muted, sapphire-blue gown sits ramrod straight in a chair and looks at us in this vertical portrait painting. The chair and the woman’s body face our left in profile, but she turns her round face to look at us with large, light brown eyes. She has slightly flushed cheeks, a straight nose, a full lower lip, and her mouth is closed. Her left forearm, closer to us, rests on the front corner of the wooden arm of the chair. Her other hand lies across that forearm. Her blue dress has a high collar and wraps closed across her chest. The full skirt bunches around the back of the seat and around the arm of the chair. The corners of a white collar lie open at the woman’s throat, nestled into the dress's lapels. The dress is painted rather loosely with shades of slate and royal blue and shaded with mauve pink, giving it a hint of a sheen. The back and seat of the wood chair is upholstered in gold-colored fabric, which is also loosely painted with the suggestion of a brocade pattern. The background is dark brown, nearly black.
Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, Gift of Mr. and Mrs. P.H.B. Frelinghuysen in memory of her father and mother, Mr. and Mrs. H.O. Havemeyer, 1942.3.1

Thérèse Louise de Sureda

Francisco Goya · c. 1803/1804 · oil on canvas ·  Accession ID  1942.3.1