Provenance

Paul Prouté, S.A.

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The image depicts a seated woman wearing a large coat and skirt. She is seated with her body angled to the side, head turned slightly towards the viewer. The woman has delicate facial features, with her hair covered by a fluffy hat. Her hands are resting in her lap as she sits on a wide chair. She is not wearing any visible jewelry or holding any objects. The background features simple vertical lines resembling a plain interior wall, creating a minimalist setting.
Mary Cassatt, Reflection, c. 1890, drypoint on laid paper, Ailsa Mellon Bruce Fund, 2024.57.1

Reflection

Mary Cassatt · c. 1890 · drypoint on laid paper ·  Accession ID  2024.57.1

Marcellin-Gilbert Desboutin, Portrait of Berthe Morisot, c. 1876, drypoint on wove paper, Gift of Bill Scott, 2025.84.5

Portrait of Berthe Morisot

Marcellin-Gilbert Desboutin · c. 1876 · drypoint on wove paper ·  Accession ID  2025.84.5

The image shows a sketched interior scene with large, undefined shapes creating an enclosed space, possibly furniture or structural elements. The color palette consists of various shades of gray, with charcoal pencil markings on grayish paper. The arched form is in the center-right area surrounded by other shapes on the left and right sides, creating a sense of depth and layered space.
Adolphe Appian, Interior of a Forge (recto) / Yard with a Pigsty (verso), 1860s, charcoal on blue laid paper; verso, graphite and black and white chalk on blue laid paper, Gift of Helen Porter and James T. Dyke, 2017.172.1

Interior of a Forge (recto) / Yard with a Pigsty (verso)

Adolphe Appian · 1860s · charcoal on blue laid paper; verso, graphite and black and white chalk on blue laid paper ·  Accession ID  2017.172.1

The image shows a man sitting at a desk with various objects like bottles, a palette, and brushes in front of him. He wears a knitted cap and a dark robe. He is holding a writing instrument over a piece of paper, with a framed picture partially visible in the background.
Alexandre Lunois, Self-Portrait, c. 1912, etching and drypoint (before reduction of the copper plate), Purchased for the Virgina and Ira Jackson Collection, 2021.39.10

Self-Portrait

Alexandre Lunois · c. 1912 · etching and drypoint (before reduction of the copper plate) ·  Accession ID  2021.39.10

The image shows a seated figure holding a child next to large urns. The figure is sitting on a structure by a tree, holding a small child with goat-like features. Two large vases are present in the foreground. The figure is holding a musical instrument, possibly a horn. The background features a landscape with clouds and distant hills. The use of line work reflects a classical theme.
Charles Le Brun, Vesper (Evening), c. 1640, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 2007.18.3

Vesper (Evening)

Charles Le Brun · c. 1640 · etching with engraving on laid paper ·  Accession ID  2007.18.3

This is a drawing of a crowded carriage being pulled by three horses. The horses are detailed with a strong sense of motion and tension. The carriage is loaded with figures in historical clothing. Some figures appear to be interacting. Two men are depicted in the foreground and background, appearing to direct the horses. The drawing conveys movement and activity, with a monochromatic color scheme emphasizing the historical feel.
Théodore Gericault, Cart Filled with Wounded Soldiers (Chariot charge de soldats blesses), 1818, lithograph, Ailsa Mellon Bruce Fund, 1980.35.2

Cart Filled with Wounded Soldiers (Chariot charge de soldats blesses)

Théodore Gericault · 1818 · lithograph ·  Accession ID  1980.35.2

This image shows a horse-drawn steamroller flattening a path, with various labeled objects placed along the way. The steamroller has a flat surface filled with irregular shapes, resembling bricks or stones. It is led by a person with a whip, and the labels on the objects include "HANOVRE," "HESSE," "SAXE," and "BADEN" among others. The title "L'UNITÉ ALLEMANDE" ("German Unity") hints at a theme of unification. The style is characterized by shading and linework typical of satirical or political illustrations.
Honoré Daumier, L'unité allemande, 1870, lithograph, Ailsa Mellon Bruce Fund, 1978.104.2

L'unité allemande

Honoré Daumier · 1870 · lithograph ·  Accession ID  1978.104.2

This is a drawing of multiple figures and architectural elements. The scene contains various figures, some seated, others standing, captured in dynamic poses. The figures are muscular, with exaggerated gestures. They appear to be reacting to a central figure advancing through a large archway in the background holding a sword. The attire of the figures suggests antiquity, with flowing drapery and classical robes. Architectural columns and a pediment frame the figure in the background. The use of shading captures the play of light and shadow, adding to the intense atmosphere of the scene.
René Boyvin, The Conquest of Ignorance, 1560s, engraving on laid paper, Gift of Ruth Cole Kainen, 2006.162.3

The Conquest of Ignorance

René Boyvin · 1560s · engraving on laid paper ·  Accession ID  2006.162.3

The image is a detailed portrait drawing showing the upper part of a man's body. The man is positioned with his body slightly turned to the side, while his face is directed towards the viewer. His facial features include deep-set eyes, a prominent nose, and a full beard and mustache. His hair is curly and appears voluminous under a cap or hat. He is wearing a jacket over a high-collared garment and is holding a pipe with his lips, which extends outward to the right. The background is plain and uncluttered.
Marcellin-Gilbert Desboutin, Self-Portrait wih Pipe, 1879, drypoint [proof] on laid paper, Ailsa Mellon Bruce Fund, 2021.39.7

Self-Portrait wih Pipe

Marcellin-Gilbert Desboutin · 1879 · drypoint [proof] on laid paper ·  Accession ID  2021.39.7

The image shows a view of several boats anchored close to us on a body of water. The boats have detailed masts and sails, showcasing the craftsmanship of the vessels. The largest boat in the center has a light-colored sail that stands out. Other boats are seen in the distance. A coastline with faint buildings and boats is visible on the horizon. The sky and water feature horizontal etchings, adding movement and texture. The color palette is primarily muted sepia and black tones. The etching strokes combine realism with artistic fluidity in creating a calm maritime scene.
Adolphe Appian, Barques de Cabotage, etching, Ailsa Mellon Bruce Fund, 1975.34.5

Barques de Cabotage

Adolphe Appian · · etching ·  Accession ID  1975.34.5