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Galerie St. Etienne

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The image depicts a figure in a crouched or kneeling position with the head lowered and arm resting on the knee. The figure's body is outlined with pencil strokes, emphasizing the muscular structure and posture. Facial features are not detailed. The figure appears unclothed. To the right are abstract sketches of geometrical shapes and forms. The background is plain sketch paper, and the artist's signature, "Gustav Klimt," is at the bottom right corner.
Gustav Klimt, Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects, c. 1901, black and blue crayon on wove paper, Gift of Dr. Otto Kallir, 1973.24.1

Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects

Gustav Klimt · c. 1901 · black and blue crayon on wove paper ·  Accession ID  1973.24.1

The image shows a line drawing with a slightly elevated point of view, looking down at an arrangement of rocks and vegetation. The horizon is not clearly defined, focusing on the rocks stretching towards the edge of the image. The drawing has fluid and curvilinear lines capturing the texture and form of the rocks and plants. The color palette is monochromatic with black lines on a light, cream-colored paper, emphasizing contrasts and contours. The lines vary in intensity, providing depth and dimension, with some areas featuring denser cross-hatching for shadow or texture. Small plant details in the distance suggest subtle growth amidst the rocky terrain.
Egon Schiele, Mountain Stream, 1917, crayon on wove paper, Gift of Ruth Cole Kainen, 2012.92.115

Mountain Stream

Egon Schiele · 1917 · crayon on wove paper ·  Accession ID  2012.92.115

The image shows a person seated in a chair, facing the viewer. The person is positioned centrally in the image, sitting upright with hands resting on their knees. The face is partially shadowed due to a hood covering most of the head. The person is dressed in a dark, long garment that covers the body entirely, with long sleeves and a hood. The background is dark and textured with a blurred silhouette of trees or large shrubs and a building behind the person.
Paula Modersohn-Becker, Seated Old Woman, c. 1900, etching and aquatint on buff wove paper, Gift of Ruth Cole Kainen, 2012.92.379

Seated Old Woman

Paula Modersohn-Becker · c. 1900 · etching and aquatint on buff wove paper ·  Accession ID  2012.92.379

The image displays a composition of complex, overlapping lines and shapes in dark brown and deep red tones. Lighter areas provide contrast. The interwoven lines and curves suggest natural elements, resembling branches or underbrush. Some shapes appear as arch-like structures, implying a cavernous space with organic textures.
Christian Rohlfs, The Beast, 1925, woodcut in red-brown and black with multiple overprintings on thin japan paper (artist's proof); laid down, Ailsa Mellon Bruce Fund, 1997.48.1

The Beast

Christian Rohlfs · 1925 · woodcut in red-brown and black with multiple overprintings on thin japan paper (artist's proof); laid down ·  Accession ID  1997.48.1

The image depicts several figures. The two central figures are seated, with the left figure playing a string instrument. This person is depicted in a full-body view, seated with legs crossed and has short, dark hair. They are wearing a jacket over a shirt and dark pants. Nearby, the other seated figure is facing slightly away, wearing a cap and relaxed clothing. To the right, there is a figure in profile with hair pulled back in a bun. The figures are drawn in a sketchy style with minimal facial features. In the background, there are outlines of additional figures or objects drawn in a similar style. The setting is against a light-colored background, with the sketch bordered by aged paper.
George Luks, Bea Evan, Four Figures, c. 1925, black crayon and graphite on wove paper, Corcoran Collection (Gift of Mark B. Sandground, 1968), 2015.19.1065

Four Figures

George Luks, Bea Evan · c. 1925 · black crayon and graphite on wove paper ·  Accession ID  2015.19.1065

The image features abstract sweeping and jagged lines that form indistinct shapes. Amidst the brushstrokes, the shapes vaguely resemble human-like forms interacting. Their elongated limbs and postures suggest movement. The swirling lines add texture, reminiscent of flowing fabrics or organic forms.
Lovis Corinth, unidentified, Fritz Gurlitt, The Fall of Man (Der Sündenfall), 1919, color woodcut with unique inking on wove paper, Ailsa Mellon Bruce Fund, 2010.129.1

The Fall of Man (Der Sündenfall)

Lovis Corinth, unidentified, Fritz Gurlitt · 1919 · color woodcut with unique inking on wove paper ·  Accession ID  2010.129.1

The image displays the head of a young person, drawn with simple lines. The person's face is directly facing forward, with features such as wide-set eyes, a straight nose, closed lips, short hair with a slight wave, and a plain background.
Edvard Munch, Otto Felsing, Theodor Linde, 1902, drypoint in black, The Epstein Family Collection, 2004.13.5

Theodor Linde

Edvard Munch, Otto Felsing · 1902 · drypoint in black ·  Accession ID  2004.13.5

The image is a sketch in a classic etching style of a person's head and upper shoulders. The person's head is tilted slightly to one side, with facial features depicted using bold lines. The person has a pronounced brow, nose, thick mustache merging into a beard, and dense hair styled with a center parting. There is no visible clothing or jewelry. The background is plain and monochromatic, and the edges of the sketch are bordered. Annotations or signatures are present on the lower portion of the page.
Edvard Munch, Wilh. Scheels Klisjéanstalt, Otto Felsing, Head of a Man, 1906, drypoint in black on wove, The Epstein Family Collection, 2004.13.3

Head of a Man

Edvard Munch, Wilh. Scheels Klisjéanstalt, Otto Felsing · 1906 · drypoint in black on wove ·  Accession ID  2004.13.3

The image shows an upper-body depiction of a person in a sketch style. The subject is facing forward with their head slightly tilted to the right. Facial features are delicately outlined, including defined eyes, a straight nose, and a closed mouth. The hair is styled back with textured strokes. The clothing is minimally sketched, with lines suggesting a draped garment around the shoulders. There are no visible accessories or objects. The background is a simple, unadorned, light surface that contrasts with the darker pencil sketch.
Edvard Munch, Otto Felsing, Marie Linde, 1902, drypoint in black on wove paper, The Epstein Family Collection, 2004.13.4

Marie Linde

Edvard Munch, Otto Felsing · 1902 · drypoint in black on wove paper ·  Accession ID  2004.13.4

Gustav Klimt, Reclining Woman, c. 1909, red crayon (on Japan paper?), Ailsa Mellon Bruce Fund, 1973.39.1

Reclining Woman

Gustav Klimt · c. 1909 · red crayon (on Japan paper?) ·  Accession ID  1973.39.1