Provenance

Stanza del Borgo

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This is a drawing of animals disembarking from an ark. Animals including pairs of goats, lions, and various creatures are moving down a ramp from a large boat-like structure. Birds are in the background flying overhead or perched. Several figures are near the ramp, observing the animals. The drawing is detailed, depicting a variety of animal life with attention to textures and forms, creating a dynamic scene.
Giulio Bonasone, Noah Leaving the Ark, 1544, engraving on laid paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2020.45.1

Noah Leaving the Ark

Giulio Bonasone · 1544 · engraving on laid paper ·  Accession ID  2020.45.1

The image displays swirling lines and curved shapes forming an abstract design. A scallop shell is at the center, encircled by cherubic figures, dragons, and sea creatures. Abstract motifs of flowers, shells, and mythical beasts are present, along with arrows and shields, creating a fantastical scene merging nature and mythology.
Jost Amman, Water, 1568, etching on laid paper [proof without text], Ailsa Mellon Bruce Fund, 2011.78.3

Water

Jost Amman · 1568 · etching on laid paper [proof without text] ·  Accession ID  2011.78.3

This is a drawing of multiple studies of lions in different positions. The drawing features sketches of lions in various poses and angles. There is a reclining lion with detailed mane and anatomy, surrounded by quick sketches of a lion's face highlighting mane texture and gaze intensity. A lion in a prowling position is shown nearby, emphasizing its sleek form and strength. Additionally, a smaller sketch depicts two animals interacting on a perch. Intricate line work, shading, and texturing capture the lions' character and majesty in different stances and expressions.
Cesare Biseo, Study of Lions, 1867, etching, The Ahmanson Foundation, 2013.29.3

Study of Lions

Cesare Biseo · 1867 · etching ·  Accession ID  2013.29.3

The image features numerous figures in expressive poses, gathered under an archway. Several cherubic figures and draped fabric add texture to the scene. Light and shadow emphasize the figures' movements and gestures. The setting includes ornate columns and classical architecture.
Carlo Innocenzo Carlone, San Carlo Borromeo Giving Last Communion to Victims of the Plague, c. 1724, etching on laid paper, Ailsa Mellon Bruce and Mary Hopkins Gibb Fund, 2005.84.1

San Carlo Borromeo Giving Last Communion to Victims of the Plague

Carlo Innocenzo Carlone · c. 1724 · etching on laid paper ·  Accession ID  2005.84.1

The etching depicts several partial figures. On the left is a man's face with angular features. Next to him is a woman's upper body leaning forward. Above her is another figure with long hair. At the top right is a head in profile. In the lower right is a child in a coat with raised hands. The background is plain, highlighting the detailed faces and figures with minimal detail around them.
Umberto Boccioni, Self-Portrait with Four Other Studies, 1907/1909, drypoint printed in black on wove paper, Ailsa Mellon Bruce Fund, 2020.90.2

Self-Portrait with Four Other Studies

Umberto Boccioni · 1907/1909 · drypoint printed in black on wove paper ·  Accession ID  2020.90.2

This drawing features an ornate symmetrical design with a central leaf surrounded by decorative elements. The ornamentation includes natural and classical motifs, such as scrollwork, fruits, flowers, and mythological figures. The central focus is a large heart-shaped leaf with visible veins. The upper portion includes vases with flowers and a goat head, while small figures holding flowers are on either side. Lower elements like scythes, a sickle, and baskets suggest harvest and nature's cycle. Fine lines and high contrast contribute to the precision of the composition.
Jost Amman, Earth, 1568, etching on laid paper [proof without text], Ailsa Mellon Bruce Fund, 2011.78.1

Earth

Jost Amman · 1568 · etching on laid paper [proof without text] ·  Accession ID  2011.78.1

The image depicts a landscape scene viewed from above eye level. In the distance, there is a line of trees creating a horizon, with swirling clouds and birds in the sky. Close by, there are hills, cows being led, and two figures sitting on a rocky outcrop. The artist uses detailed linework and cross-hatching for texture, particularly in foliage and rocks. The image is rendered in monochromatic tones, black and white.
Domenico Bernardo Zilotti, Landscape with Shepherdess and Herd at a Watering Hole, 1760s(?), etching on laid paper, Purchased as the Gift of Ann and Matthew Nimetz, 2015.55.2

Landscape with Shepherdess and Herd at a Watering Hole

Domenico Bernardo Zilotti · 1760s(?) · etching on laid paper ·  Accession ID  2015.55.2

Three figures are shown in the image, arranged vertically. On the left, a seated woman is holding a child on her lap. The woman has wavy hair and wears a draped garment. The child has curly hair and is reaching towards the right. On the right, a bearded man is kneeling with clasped hands and holding a staff. The background features clouds, two airborne figures, and architectural elements.
Gaetano Gandolfi, The Holy Family with God the Father, 1770s-1780s, etching and aquatint printed in brown on laid paper, Ailsa Mellon Bruce Fund, 2010.29.1

The Holy Family with God the Father

Gaetano Gandolfi · 1770s-1780s · etching and aquatint printed in brown on laid paper ·  Accession ID  2010.29.1

The image depicts two figures. The left figure is shown in partial view with the upper body visible, sitting in a slightly reclined position, suggesting movement or a dramatic pose. The figure has long hair and classical facial features with a serene expression. The right figure, standing or possibly stepping forward, is also partially visible with a focus on the upper body and braided hair. Both figures are dressed in flowing garments. The background is sparse with faintly sketched lines suggesting movement or an outdoor setting, with no distinct objects or details. The image has fluid lines and a sepia tone, giving it an aged aesthetic.
Sebastiano Ricci, Christ and the Samaritan Woman, 1718, pen and brown ink with brown wash over black chalk on laid paper, The Edith Tanenbaum Rudolf Collection, 2018.26.23

Christ and the Samaritan Woman

Sebastiano Ricci · 1718 · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  2018.26.23

This is a drawing of a group of figures gathered in a landscape scene by a river or body of water. The composition features an arrangement of figures in flowing garments, surrounded by trees and bushes, with a view of architectural structures and vegetation in the background. The drawing is detailed, with expressive lines and a subtle use of shading to imply depth and movement among the figures. The overall style and line work indicate it could be in the manner of a classical or renaissance-inspired artist.
Giovanni Battista Gaulli, The Finding of Moses, c. 1685/1690, pen and black ink with brush and gray wash and white gouache over traces of black chalk on brown laid paper, William B. O'Neal Fund, 2022.26.1

The Finding of Moses

Giovanni Battista Gaulli · c. 1685/1690 · pen and black ink with brush and gray wash and white gouache over traces of black chalk on brown laid paper ·  Accession ID  2022.26.1