Provenance

William Roscoe

British, 1753 - 1831

Explore selected works

Francesco Benaglio, Saint Jerome, c. 1470/1475, tempera on spruce panel, Samuel H. Kress Collection, 1952.5.51

Saint Jerome

Francesco Benaglio · c. 1470/1475 · tempera on spruce panel ·  Accession ID  1952.5.51

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The Crucifixion of Saint Peter

Michele Lucchese, Antonio Lafreri · c. 1550/1560 · etching with engraving on laid paper ·  Accession ID  2020.118.1

The bodies of four people are locked together through dramatic gestures and poses against a dark background in this nearly square painting. The two men have pale, peachy skin and the two women have ash-white skin, and together they almost fill the composition. A man with a white beard and hair wears a short-sleeved brown garment and sits to the right of center. His body faces our left and both of his arms reach straight out at shoulder height. His head juts forward and his bulging eyes appear white. He points at a younger man kneeling in front of him with his left hand. Near the left edge of the canvas, the younger man’s body also faces our left as he kneels on his left knee. His body leans forward over his right knee, which is bent so that foot is flat on the ground. His head is thrown back and his right hand, on our left, crosses his body and is raised as if to shield his face. His other arm extends so the raised flat of his hand is close to the old man’s face. The young man has dark hair and wears a tight-fitting, short-sleeved, golden yellow tunic. One woman with long blond hair rests her hands and leans her forehead onto the old man’s knee in the lower right corner. The second woman stands behind the pair of men with her arms spread wide so one hand reaches over the shoulder of the old man, and her other hand nearly touches the younger man’s head. She has long, curly brown hair, and she looks at the older man with her lips parted. Both women wear white and pale gray garments. There is the suggestion of blue sky beyond some trees along the left edge of the composition but the rest of the background is deep in shadow.
Henry Fuseli, Oedipus Cursing His Son Polynices, 1786, oil on canvas, Paul Mellon Collection, 1983.1.41

Oedipus Cursing His Son Polynices

Henry Fuseli · 1786 · oil on canvas ·  Accession ID  1983.1.41

Andrea Mantegna, A Bird Perched on a Branch with Fruit, 1460s (?), pen and brown ink on laid paper, Andrew W. Mellon Fund, 1976.33.1

A Bird Perched on a Branch with Fruit

Andrea Mantegna · 1460s (?) · pen and brown ink on laid paper ·  Accession ID  1976.33.1

Bibliography

1833

  • Roscoe, H. Life of William Roscoe. 2 vols. 1833.

1853

  • Traill, T.S. Memoir of Roscoe. 1853.