William Wethered

British, died 1863

Explore Selected Works

About a dozen people, tiny in scale, flail their arms or huddle in small groups in a vast, mountainous landscape in this gold-toned, horizontal painting. A grassy expanse stretches across the bottom edge the canvas into the middle distance, where it meets steep hills separated by deep valleys. White water, falls or rivers, separate some of the mounds. Two tall branches of a sparse, V-shaped tree cut into the sky to our right. The horizon comes about halfway up the composition, and the landscape and people are painted loosely so details are difficult to make out. The people cluster in two groups in the landscape, which is painted with tones of eucalyptus and laurel green. To our left, a person runs from what appears to be a fire-lined opening in the ground. A basket, a set of pan pipes, perhaps a cloak, and maybe some tools are gathered near the tree to our right. A walled building complex high on a flat hilltop in the distance is warmed to peanut brown by the setting sun. A blanket of dark buttercup-yellow and rust-orange clouds mostly hides an icy blue sky.
Joseph Mallord William Turner, The Rape of Proserpine, 1839, oil on canvas, Gift of Mrs. Watson B. Dickerman, 1951.18.1

The Rape of Proserpine

Joseph Mallord William Turner · 1839 · oil on canvas ·  Accession ID  1951.18.1

Butter-yellow clouds and water, a periwinkle-blue sky, and pale plum-purple buildings blend in hazy, indistinct bands across this horizontal landscape painting. The paint is thickly applied in some areas, especially along the top of the sky, and the scene is loosely painted with visible brushstrokes throughout. The blurry horizon comes about a third of the way up the composition and the small, round, white sun shines low in the sky to our left. The sky or clouds around the sun are painted with shades of pale sapphire-blue with touches of lavender, which give way to a lemon-yellow clouds or haze in the right two-thirds of the sky. Buildings along the horizon, deep in the distance across the right three-quarters of the canvas, are loosely painted with vertical swipes of heather pink and cream white. The water, closest to us, reflects the yellow of the sky with additional touches of celery green. Brown boats spaced along the harbor carry people and objects away from us, toward the town.
Joseph Mallord William Turner, Approach to Venice, 1844, oil on canvas, Andrew W. Mellon Collection, 1937.1.110

Approach to Venice

Joseph Mallord William Turner · 1844 · oil on canvas ·  Accession ID  1937.1.110

Bibliography

1984

  • Butlin, Martin, and Evelyn Joll. The Paintings of J.M.W. Turner. 2 vols. 2nd rev. ed. New Haven and London, [1977] 1984: 1:232.