Provenance

William Weston Gallery

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The image shows three individuals positioned within a rocky, natural setting. The central figure is seated, facing left and extending an arm towards the other two individuals below him. He wears a helmet, sleeveless vest, knee-length shorts, and sandals. His hair is partly visible under the helmet. The other two individuals crouch beside a rock, one wearing a turban. In the foreground, there are rocks and sparse vegetation, with a spear and jug to the right. The background shows a distant landscape with clouds and tree branches.
John Hamilton Mortimer, Banditti Taking His Post, 1778, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.77

Banditti Taking His Post

John Hamilton Mortimer · 1778 · etching on laid paper ·  Accession ID  2017.53.77

The image shows an old stone building with gothic windows. The viewpoint is slightly elevated, with a grassy area in front of the entrance where tall grass grows. The entrance has a stone archway, partially in shadow, with a person standing inside. The building occupies most of the vertical space, showcasing intricate details on the stonework and high walls. Fine lines and a linear texture are used for depth and texture on the stone surfaces. The color palette is monochromatic, in shades of sepia and brown.
F. L. Griggs, Laneham, 1923, etching in black on laid paper, Gift of Ruth Cole Kainen, 2005.145.14

Laneham

F. L. Griggs · 1923 · etching in black on laid paper ·  Accession ID  2005.145.14

This is a drawing of fantastical creatures sleeping by the water. The drawing depicts a cluster of monstrous beings resting at the edge of a body of water. The creatures have a hybrid appearance with features resembling both humans and animals, including horns and scales. The detailed line work captures the texture of their skin and the ripples in the water. The surrounding landscape includes water, grass, and skeletal remains on the ground.
John Hamilton Mortimer, Sleeping Monsters, 1780, etching on pale blue-green paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.74

Sleeping Monsters

John Hamilton Mortimer · 1780 · etching on pale blue-green paper ·  Accession ID  2017.53.74

The image shows a landscape view with trees and foliage. The horizon is low in the background. Trees with detailed branches and leaves dominate the scene. The artwork features fine etching with precise strokes that vary in density, adding depth. The color palette is monochromatic in shades of brown. A stream or path winds through the scene, flanked by shrubbery and undergrowth. The landscape continues with more vegetation in the distance.
Henri-Joseph Harpignies, Bouquet d'arbres au ruisseau (Stand of Trees on a River), 1849, etching on oatmeal paper, Ailsa Mellon Bruce Fund, 1984.19.1

Bouquet d'arbres au ruisseau (Stand of Trees on a River)

Henri-Joseph Harpignies · 1849 · etching on oatmeal paper ·  Accession ID  1984.19.1

The image shows a bust-length depiction of a person in a three-quarter view to the left. The individual is in a regal or authoritative pose, with their head slightly turned. Their features are detailed, with strong facial features, a prominent nose and lips, and a beard. They are wearing an elaborate turban or headdress with a central jewel or brooch, suggesting nobility. Their clothing is richly embroidered, and they have large earrings. Behind them, another figure appears to be floating, holding an object above the main figure's head. The background has a textured, stippled pattern in an oval frame. The text "RICHARD, II" is inscribed above the figure, identifying them.
John Hamilton Mortimer, Richard II, 1775, etching on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.72

Richard II

John Hamilton Mortimer · 1775 · etching on wove paper ·  Accession ID  2017.53.72

This is a drawing of armed guards with spears in a rocky landscape. The composition shows a rocky terrain with vegetation. A figure in classical armor and helmet is seated on a rock, with a spear nearby and gesturing with an outstretched arm. Two other figures are crouched under a rocky outcrop. The background has trees and clouds. The artwork features detailed textures in armor, clothing, and rocks, creating a dramatic narrative. The style includes fine lines, intricate details, and dynamic forms for storytelling.
John Hamilton Mortimer, Banditti Taking His Post, 1778, etching on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.76

Banditti Taking His Post

John Hamilton Mortimer · 1778 · etching on wove paper ·  Accession ID  2017.53.76

This is a drawing of a mythological creature labeled as an "ENRAG'D MONSTER." The image depicts a beast with a human-like upper body and a serpentine lower body emerging from water. The creature has an intense expression, wild hair, and a muscular form. Its tail is curled aggressively, surrounded by splashes and aquatic movement. The background shows a turbulent sky with swirling clouds, adding to the dynamic atmosphere of the scene.
John Hamilton Mortimer, Enrag'd Monster, 1778, etching on pale blue-green paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.80

Enrag'd Monster

John Hamilton Mortimer · 1778 · etching on pale blue-green paper ·  Accession ID  2017.53.80

The image shows four women seated in different poses on chairs. They have distinct facial features, similar hairstyles with pointed bangs, and wear various light-colored outfits. The background is minimalistic with loose sketchy lines.
Jules Pascin, Une, Deux, Trois, Quatre Dames, 1924, drypoint, Gift of Ruth Cole Kainen, 2005.99.27

Une, Deux, Trois, Quatre Dames

Jules Pascin · 1924 · drypoint ·  Accession ID  2005.99.27

This image shows a rural landscape with a pond in the foreground where cattle are being herded by a person on horseback. There are low buildings with smoking chimneys in the middle ground. Trees on the horizon separate the land from the sky, which is filled with clouds. The painting is detailed with a consistent brushwork, capturing foliage and buildings. The color palette is primarily sepia, giving a vintage and serene feel to the scene.
Jules Dupré, View in Normandy (Vue prise en Normandie), 1835, lithograph, Ailsa Mellon Bruce Fund, 1982.52.1

View in Normandy (Vue prise en Normandie)

Jules Dupré · 1835 · lithograph ·  Accession ID  1982.52.1

The image shows a top-down view of a narrow, winding street with crooked buildings. The architecture appears distorted, with irregular shapes and angles. In the distance, a dome and spires are visible. The style features rough etching lines, creating a sketch-like appearance. The image uses primarily sepia tones, giving it a vintage look. A single figure can be seen walking down the street in the foreground.
Franz Gaudeck, Alte Gasse (Old Alleyway), c. 1915, color drypoint printed in brown on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.221

Alte Gasse (Old Alleyway)

Franz Gaudeck · c. 1915 · color drypoint printed in brown on wove cream paper ·  Accession ID  2012.92.221