Provenance

Whitney Museum of American Art

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Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting. The low, honey-colored wooden boat extends off both sides of the canvas. Both men face our left as they row to our right. The man in front looks ahead of him, beyond the stern of the boat, and the man to our right, closer to the bow, tucks his chin down to look past his shoulder. Their bare, muscled arms are extended straight as the two oars sweep back. The tip of another boat runs close and parallel to the bottom edge of the composition, spanning the left three-quarters of the painting. The opposite riverbank is lined with a dense forest of pine-green trees. People crowd along the decks of a steamboat and a paddleboat near the riverbank to our left. Another narrow skuller, rowed by four people wearing ruby-red shirts, cuts through the water at the back center of the river. The riverbank beyond is lined with people, painted with strokes of black and white, and minuscule touches of red. The horizon comes halfway up the composition. Cream-white clouds float across a muted, topaz-blue sky above the trees.
Thomas Eakins, The Biglin Brothers Racing, 1872, oil on canvas, Gift of Mr. and Mrs. Cornelius Vanderbilt Whitney, 1953.7.1

The Biglin Brothers Racing

Thomas Eakins · 1872 · oil on canvas ·  Accession ID  1953.7.1

The image shows an interior view of a theater. In the foreground on the right, there is a statue of a woman. In the middle ground, an ornate balcony box with spectators leaning forward is visible. The orchestra seating area shows mostly male audience members looking towards the stage or statue. The background is richly detailed with architectural elements typical of a grand theater.
Reginald Marsh, Star Burlesk, 1933, etching in black [restrike], Avalon Fund, 1970.12.12

Star Burlesk

Reginald Marsh · 1933 · etching in black [restrike] ·  Accession ID  1970.12.12

The image shows two individuals, a man and a woman, sitting on a bench inside a train carriage. The woman is on the left with her knees bent and hands folded in her lap. She has short hair and is dressed in a coat with a fur collar. The man is on the right, reclined with one arm on the backrest. He wears a bowler hat and a heavy coat. Both individuals are in a vintage train car with visible windows.
Reginald Marsh, 2nd Ave. El., 1930, etching in black [restrike], Avalon Fund, 1970.12.2

2nd Ave. El.

Reginald Marsh · 1930 · etching in black [restrike] ·  Accession ID  1970.12.2

This is a drawing of a densely packed street scene filled with dynamic motion and expression. The artwork showcases a wide and varied cast of characters interacting with each other. The figures are arranged in a tightly knit group, with each character's positioning creating a sense of crowdedness typical of a busy city scene. The details in the clothing, hats, and physical gestures give the image a period feel. The artist's technique of using intricate line work and shading adds texture and depth to the composition, bringing the lively scene to life.
Reginald Marsh, The Barker, 1931, etching in black [restrike], Avalon Fund, 1970.12.6

The Barker

Reginald Marsh · 1931 · etching in black [restrike] ·  Accession ID  1970.12.6

This is a drawing of several nude figures with defined musculatures in various poses along a waterfront or dockyard scene. The figures appear to be engaged in movement and interaction. The background features industrial elements like a large ship or machinery. The composition balances the figures with the surrounding environment.
Reginald Marsh, Bathers-in-the-Hudson, 1941, engraving in black [restrike], Avalon Fund, 1970.12.29

Bathers-in-the-Hudson

Reginald Marsh · 1941 · engraving in black [restrike] ·  Accession ID  1970.12.29

This is a black and white etching of a cityscape with numerous tall buildings. The horizon is hidden by the skyscrapers, which reach into the sky. The buildings are detailed and intricate, with clouds in the sky adding contrast. The image predominantly uses shades of black and white to create a powerful visual impact. Smoke or steam rises from some structures, adding dynamics to the scene.
Reginald Marsh, Wall Street (Skyline from Laurents), 1931, etching in black [restrike], Avalon Fund, 1970.12.7

Wall Street (Skyline from Laurents)

Reginald Marsh · 1931 · etching in black [restrike] ·  Accession ID  1970.12.7

This is a drawing featuring numerous figures in a dynamic scene. The image shows figures sitting on swings within an industrial or architectural interior with high ceilings and steel beams. The figures appear to be in motion, with some rising into the air. The setting includes architectural elements such as arches and columns. The figures have diverse attire, poses, and expressions, creating a dynamic composition. The drawing includes heavy line work and detailed cross-hatching for texture and depth.
Reginald Marsh, Steeplechase Swings, 1935, etching in black [restrike], Avalon Fund, 1970.12.15

Steeplechase Swings

Reginald Marsh · 1935 · etching in black [restrike] ·  Accession ID  1970.12.15

This is an image showing trains in a train yard with multiple locomotives and figures around them. The focus is on two large steam locomotives amidst industrial elements like steam and structural frameworks. The foreground locomotive has smoke and steam billowing above it. The composition captures the energy and atmosphere of rail industries, with detailed lines conveying movement and machinery.
Reginald Marsh, Erie R.R. Locos Watering, 1934, etching in black [restrike], Avalon Fund, 1970.12.14

Erie R.R. Locos Watering

Reginald Marsh · 1934 · etching in black [restrike] ·  Accession ID  1970.12.14

This is a drawing of bodies entangled within a complex structure of ropes or nets. The image depicts numerous figures caught in a network of ropes or nets, with detailed musculature. The figures are intricately drawn, suggesting movement. The background shows more figures and possibly an audience or crowd in the distance, obscured by the main net structure. The composition conveys motion and entrapment, illustrating the energy and physicality of the subjects in a dramatic atmosphere.
Reginald Marsh, Flying Concellos, 1936, etching and engraving in black [restrike], Avalon Fund, 1970.12.16

Flying Concellos

Reginald Marsh · 1936 · etching and engraving in black [restrike] ·  Accession ID  1970.12.16

The image is an etching depicting a scene at an opera or theater. The focus is on a group of people seated in the foreground, looking towards the stage. Their facial expressions are detailed, showing interest and attention. The individuals have various hairstyles and are dressed formally. The seating area is ornate, with decorative elements. In the background, more audience members are seated in a tiered balcony. The scene conveys opulence and a social gathering.
Reginald Marsh, Grand Tier at the Met., 1939, engraving in black [restrike], Avalon Fund, 1970.12.24

Grand Tier at the Met.

Reginald Marsh · 1939 · engraving in black [restrike] ·  Accession ID  1970.12.24