Provenance

Dr. Georges-Joseph Wimpfen

died 1879

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An older woman sitting in a tall, wooden, throne-like chair, holding a seated baby in her lap, is flanked by a bearded man to our left and a young girl to our right in this vertical painting. All the people have pale or rosy skin and flat, plate-like halos, three of which are inscribed with names. The bearded man’s halo reads, “S IOHANE.” The older woman’s is “S ANNA,” and the young girl’s reads, “MARIA.” The throne takes up the right half of the composition. The face of the older woman, Saint Anne, is deeply creased, and she has jowls along her jawline and bags under her eyes. With a smile, she looks down at the baby in her lap. She wears a dark brown robe with a cream-white wimple that covers her hair and neck and cascades down her shoulders. A long, scarlet-red cloak drapes from her right shoulder, to our left, and across her lap. With that arm, she supports the seated baby, Jesus. The chubby baby is nude except for a silvery-white cloth gathered around his hips, and he faces our right, looking at the young woman there, Mary. He holds one hand up by his chest and, with the other, reaches for and grips a small, dark red apple Mary holds. Both Jesus and Mary have blond hair, rounded cheeks and jawlines, and full, rose-red lips. Mary’s long, wavy hair falls loosely to her waist. She holds out the apple with one hand and, with the other, picks up the skirt of her moss-green dress to reveal a powder-blue skirt beneath. One of Saint Anne’s large hands wraps around Mary’s lower back. The bearded man, Saint John, kneels on the other side of the throne, facing Mary. He looks at her with dark eyes under a gathered brow. Wrinkles line his cheeks, forehead, and the corners of his eyes. He points with his right hand, closer to us, at Jesus and gestures down at a white lamb, also with a halo, at his knees with the other. He has a cap of light brown, curly hair and a full beard. He wears a mustard-brown robe rolled back to the elbows. Behind the chair, a black wall has two steps down to span the background behind Saint John’s head. There is a white column on each step, and a landscape beyond has a river, trees, and a town nestled on craggy cliffs in the distance. The sky above is pale blue. With tiny letters, the artist signed the painting with his initials intertwined, “HBG,” on the throne between Saint Anne and Mary.
Hans Baldung Grien, Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist, c. 1511, oil on hardboard transferred from panel, Samuel H. Kress Collection, 1961.9.62

Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist

Hans Baldung Grien · c. 1511 · oil on hardboard transferred from panel ·  Accession ID  1961.9.62

Bibliography

1934

  • Pariset, François-Georges. "Deux Oeuvres inédites de Baldung Grien." Gazette des Beaux-Arts 6e per. 11 (1934): 13-14.