Macbeth Galleries

American, est. 1892 - closed 1953

Explore Selected Works

See all 23 works of art
John Neagle, Amy Taylor Dickson (Mrs. John Dickson), c. 1835, oil on canvas, Andrew W. Mellon Collection, 1947.17.77

Amy Taylor Dickson (Mrs. John Dickson)

John Neagle · c. 1835 · oil on canvas ·  Accession ID  1947.17.77

John Wollaston, Mary Walton Morris, 1749/1752, oil on canvas, Andrew W. Mellon Collection, 1942.8.40

Mary Walton Morris

John Wollaston · 1749/1752 · oil on canvas ·  Accession ID  1942.8.40

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Francis Garden of Troup, Scotland (?)

Scottish 18th Century · c. 1745 · oil on canvas ·  Accession ID  1947.17.93

Arthur B. Davies, The Great Mother, c. 1913, oil on canvas, Corcoran Collection (Bequest of Lizzie P. Bliss), 2015.19.54

The Great Mother

Arthur B. Davies · c. 1913 · oil on canvas ·  Accession ID  2015.19.54

John Singer Sargent, Ponte Panada, Fondamenta Nuove, Venice, c. 1880, watercolor over graphite on wove paper, Corcoran Collection (Bequest of Mabel Stevens Smithers), 2014.136.196

Ponte Panada, Fondamenta Nuove, Venice

John Singer Sargent · c. 1880 · watercolor over graphite on wove paper ·  Accession ID  2014.136.196

Thomas Eakins, Archbishop Diomede Falconio, 1905, oil on canvas, Gift of Stephen C. Clark, 1946.16.1

Archbishop Diomede Falconio

Thomas Eakins · 1905 · oil on canvas ·  Accession ID  1946.16.1

William Rudolf O'Donovan, Winslow Homer, n.d., bronze, Corcoran Collection (Museum Purchase), 2016.22.3

Winslow Homer

William Rudolf O'Donovan · n.d. · bronze ·  Accession ID  2016.22.3

A landscape seen through sheer lace curtains that billow in toward us from an open window nearly fills this horizontal painting. The window is angled slightly downward as it extends off the right side of the composition, so it does not line up with the edges of the rectangular painting. The narrow strip of dove-gray wall to the left of the window casement is cracked near the simple, deep gray molding that surrounds the window. Slivers of light peek through rips in the dark shade that covers upper third of the window. The right curtain panel surges toward us as the left panel flutters lightly off to our side. The inner edges are trimmed with subtle lace birds and flowers. The window looks down onto an expanse of olive-green grass and dark green trees line the far edge of the field. Tire tracks cross the field from near the lower left corner of the painting to our left, and into the distance to meet a sliver of white, perhaps a body of water.
Andrew Wyeth, Wind from the Sea, 1947, tempera on hardboard, Gift of Charles H. Morgan, 2009.13.1

Wind from the Sea

Andrew Wyeth · 1947 · tempera on hardboard ·  Accession ID  2009.13.1

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Afternoon

Maurice Prendergast · c. 1895-1900 · color monotype on wove paper ·  Accession ID  2015.19.727

William Merritt Chase, Self-Portrait, 1915, oil on canvas, Corcoran Collection (Museum Purchase, Gallery Fund), 2014.136.15

Self-Portrait

William Merritt Chase · 1915 · oil on canvas ·  Accession ID  2014.136.15