Provenance

Arthur Meeker

American, 1866 - 1946

Explore selected works

John Singleton Copley, Adam Babcock, c. 1774, oil on canvas, Gift of Henry A. and Caroline C. Murray, 1978.79.1

Adam Babcock

John Singleton Copley · c. 1774 · oil on canvas ·  Accession ID  1978.79.1

Shown from the knees up, a pale-skinned woman looking off to the left from her seat on a divan wears a carnation-pink gown and a fur-lined cloak in this vertical portrait painting. Her body is angled to our left, and she looks into the distance with close-set, large, gray-blue eyes. She has dark brows, a straight nose, a full lower lip, and a slight double chin in her long, oval face. Pewter-gray hair is brushed back from her high forehead and bound up under a loose swath of lace and pearls. Her loose gown is gathered under a gold, pearl-lined belt that follows the shape of her breasts along the top edge and is straight across the bottom edge. Tufts of snow-white cloth are pulled out at the neckline and at the elbow. The skirt falls loosely under the cloak, which is marine blue on the outside. The white fur interior is speckled with black, suggesting ermine. The woman holds two ends of what might be a bracelet made up of at least ten strands of fine, purple beads. Each end has a gold fitting, perhaps clasps. Her navy-blue seat curves from behind her shoulders down and across the background under a coffee bean-brown background. The woman is lit starkly from the left, throwing her ear and the far side of her face, to our right, into shadow.
John Singleton Copley, Abigail Smith Babcock (Mrs. Adam Babcock), c. 1774, oil on canvas, Gift of Mrs. Robert Low Bacon, 1985.20.1

Abigail Smith Babcock (Mrs. Adam Babcock)

John Singleton Copley · c. 1774 · oil on canvas ·  Accession ID  1985.20.1

This painting depicts a group of people gathered in a room. Two men are seated, with one reading papers and the other holding a palette and paint brushes. Several standing people are gathered around these seated people, including a variety of men and women dressed in long, brightly-colored gowns or suits and jackets. Near the center a woman is holding a baby. All of the people have pale skin and most have brown hair, except for one man with gray hair. In the background, there is a large canvas or easel. On the wall on the right, there are three paintings, one of which is framed. The room's walls are decorated in muted tones of pale green, brown, and yellow. The brushstrokes of the background are thick and visible.
Unknown 19th Century, A Painter and Visitors in a Studio, c. 1835, oil on paper on canvas, Andrew W. Mellon Collection, 1947.17.19

A Painter and Visitors in a Studio

Unknown 19th Century · c. 1835 · oil on paper on canvas ·  Accession ID  1947.17.19

Bibliography

1946

  • The New York Times, 6 February 1946, 23 (obituary).