Provenance

Copley Amory

American, 1841 - 1879

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A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm. His body and knees are angled to our left, and he turns his wide, square face to look at with heavy-lidded eyes. One brow seems slightly cocked, and he has a large nose. His lips are pulled up on one side over a round double chin. He wears a white, shoulder-length wig and a sable-brown suit. The cuffs of a white shirt are visible at his wrists where his hands are stacked on the arm of the chair. The knee-length breeches are buckled at the knee over black stockings. His legs are crossed away from us, and his feet extend off the bottom edge of the composition. The bottom half of the wall behind him is painted burgundy red up to and including a chair rail, and the wall above is moss green. The wall is lined with a gold scallop pattern along the top of the chair rail and a sliver of brown on across the bottom of the composition suggests a wood floor. The artist signed and dated the painting as if he had inscribed the red wall near the man’s knees, “John Singleton Copley pinx 1772. Boston.”
John Singleton Copley, Eleazer Tyng, 1772, oil on canvas, Gift of the Avalon Foundation, 1965.6.1

Eleazer Tyng

John Singleton Copley · 1772 · oil on canvas ·  Accession ID  1965.6.1

Bibliography

1917

  • Linzee, John William. The Linzee Family of Great Britain and the Untied States of America. Boston, 1917: 2:766, 781-782.