Provenance

Dr. and Mrs. Richard Susel

Susel, Carolyn
Susel-Eimberland, Richard and Carolyn Dr. and Mrs.
Susel, Richard M. Dr.

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Results

  • The image depicts vertical undulating stripes of varying widths with soft edges. The stripes feature colors such as earth tones, blues, pinks, and greens. The composition creates a rhythmic pattern without representing any specific object.

    Brushstrokes in Different Colors in Two Directions, Plate #02

    Sol LeWitt, Patricia Branstead, Riverhouse Editions

    1993

    Color aquatint on wove paper  Accession ID  2015.19.3085

    Not on view
  • The image features a composition of curved and angular lines. One dominant peachy-orange curve creates an elongated shape, with darker brown shapes intersecting it. A small circle resembles an eye. In the background, there are vertical yellow and green lines. The overall scene creates an abstract interpretation of an elephant in a field, merging organic shapes with familiar objects in a stylized presentation.

    Elephant

    Gregory Amenoff, Leslie Miller, Bradford Morrow

    1990

    Color relief print on somerset paper  Accession ID  1998.124.2

    Not on view
  • The image shows a rectangular canvas with a grid pattern created by vertical and horizontal lines. The composition lacks distinct shapes or colors, relying on the weave of the fabric for visual interest. The pattern resembles the texture of woven fabrics like linen or burlap, giving a sense of simplicity and raw materiality.

    A Bestiary

    Various Artists, Leslie Miller

    1990

    Portfolio of thirty-six relief prints on somerset paper  Accession ID  1998.124.1-36

    Not on view
  • In the image, there is a small rectangular area with a dark vertical line on the left and irregular staggered horizontal white shapes extending from the line to the right. The composition has an abstract feel, with the dark line and white shapes creating a minimalist presentation on a light background.

    Pig

    Bradford Morrow, Richard Tuttle, Leslie Miller

    1990

    Color relief print on somerset paper  Accession ID  1998.124.3

    Not on view
  • The image shows an irregular cluster of intersecting triangular shapes and lines forming an abstract design at the center of a blank canvas. The design consists mainly of shaded and outlined black lines, resembling a patchwork or star-like form with jagged edges. The arrangement suggests a fragmented star or a fabric swatch with uneven cuts and tiny spikes around its perimeter, creating a rugged appearance.

    Snake

    Joel Shapiro, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.4

    Not on view
  • The image shows yellow lines swirling across a dark background. The lines intersect with blue angular shapes resembling puzzle pieces or stylized animals. The composition depicts a sense of motion and complexity.

    Lemming

    Louisa Chase, Bradford Morrow, Leslie Miller, Grenfell Press

    1990

    Color relief print on somerset paper  Accession ID  1998.124.5

    Not on view
  • This is a painting of a skunk. The image shows a black and white depiction of a skunk against a black background. The skunk is outlined in white and filled with dotted patterns. Above and below the skunk are the words "TRUE BLUE" and "TAIL GUNNER" in bold blue font. The composition is graphic and minimalist, emphasizing contrast between black and white elements.

    Skunk

    Robin Winters, Leslie Miller, Bradford Morrow

    1990

    Color relief print on somerset paper  Accession ID  1998.124.6

    Not on view
  • The image displays an array of geometric shapes and angular lines, creating an abstract composition in the center of a large white space. The abstract imagery appears to depict a figure enveloped in a green cloak or garment, with the head turned to one side and an arm reaching out. The shapes and lines resemble a person holding onto something. The use of dark green, grey, and muted black tones enhances the abstract form.

    Frog

    Michael Hurson, Leslie Miller, Bradford Morrow

    1990

    Color relief print on somerset paper  Accession ID  1998.124.7

    Not on view
  • The image shows a bold, curving black line that forms an elongated U-shape. One end is pointed, resembling a candle flame, while next to it is a circular form with radiating lines resembling a clock face. The composition is set against a pale beige background, emphasizing the contrast of the black lines.

    Scorpion

    David Storey, Leslie Miller, Bradford Morrow

    1990

    Color relief print on somerset paper  Accession ID  1998.124.8

    Not on view
  • The image displays white abstract shapes and lines against a black background. In the center, there is a design resembling a horse in motion, with flowing lines indicating movement and connected with swirling patterns that could be interpreted as zebra stripes. The high contrast between the black and white elements enhances the abstract nature of the artwork.

    Horse

    Eric Fischl, Leslie Miller, Bradford Morrow

    1990

    Relief print in black on somerset paper  Accession ID  1998.124.9

    Not on view
  • The image showcases swirling lines and shapes that create an abstract pattern. The lines interweave and curve, resembling flowing water or a vortex. The design may suggest movement and depth, with a texture similar to fur or windblown sand.

    Starling

    Jamie Nares, Leslie Miller, Bradford Morrow

    1990

    Relief print in black and ochre on somerset paper  Accession ID  1998.124.10

    Not on view
  • The image contains a large rectangular shape in the center of a cream-colored canvas with a gradient of gray shades. The rectangular form resembles a softly textured slate or a misty windowpane, with neutral tones and a smooth surface.

    Plankton

    Ellen Phelan, Leslie Miller, Bradford Morrow

    1990

    Relief print in gray on somerset paper  Accession ID  1998.124.11

    Not on view