Provenance

Mr. and Mrs. Herbert Vogel

Vogel, Dorothy
Vogel, Herbert and Dorothy

he: 1922 - 2012; she: born 1935

Explore selected works

See all 873 works of art
Sylvia Plimack Mangold, Untitled, 1966, acrylic and graphite on canvas, Dorothy and Herbert Vogel Collection, 2007.6.114

Untitled

Sylvia Plimack Mangold · 1966 · acrylic and graphite on canvas ·  Accession ID  2007.6.114

Kara Walker, Typecraft Inc., Pasadena, California, David Eisen, Roswell Book Binders, Phoenix, Arizona, Peter Norton Family, Santa Monica, California, Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, 1997, bound volume of offset lithographs on wove paper with five laser-cut, pop-up black-paper silhouettes, Dorothy and Herbert Vogel Collection, 2007.6.275

Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times

Kara Walker, Typecraft Inc., Pasadena, California, David Eisen, Roswell Book Binders, Phoenix, Arizona, Peter Norton Family, Santa Monica, California · 1997 · bound volume of offset lithographs on wove paper with five laser-cut, pop-up black-paper silhouettes ·  Accession ID  2007.6.275

The image shows a large white rectangular shape at the top left corner on a pale yellow background, with a horizontal band of brown extending across the bottom third. The arrangement resembles a minimalist landscape with the white block and brown band suggesting earth and a structure against a sky landscape. Vertical and horizontal lines on the yellow section add texture that resembles wood or a scratched surface.
Robert Mangold, Window Wall Yellow and Tan Sketch, 1964, oil on plywood, Dorothy and Herbert Vogel Collection, 2010.2.1

Window Wall Yellow and Tan Sketch

Robert Mangold · 1964 · oil on plywood ·  Accession ID  2010.2.1

The image shows a central vertical line dividing the canvas into two equal halves. Near the midpoint, there is a small, soft pink rectangular shape. The overall composition is minimalist and simple, resembling a blank page.
Richard Tuttle, One Room Drawing #9, 1975, watercolor and graphite on wove paper, Dorothy and Herbert Vogel Collection, 2007.6.170

One Room Drawing #9

Richard Tuttle · 1975 · watercolor and graphite on wove paper ·  Accession ID  2007.6.170

The image displays bold, black, vertical and horizontal lines intersecting with soft, curved lines. In the foreground, there is a large yellow rectangle bordered with thick black lines, resembling a two-dimensional box-like shape. Rising from this base is a thick black cylinder. The background features swirling shades of blue and gray, with a transparent cube suspended midair, adding depth to the composition.
Don Hazlitt, Untitled, 1983, oil and graphite on wove paper, Dorothy and Herbert Vogel Collection, 2007.6.34

Untitled

Don Hazlitt · 1983 · oil and graphite on wove paper ·  Accession ID  2007.6.34

The sculpture features a row of nine small rectangular metal pieces aligned horizontally, with each piece a metallic gray color with signs of rust. The pieces are uniformly spaced and in contact with each other, creating a simple and ordered design. The sculpture is set against a plain white background, highlighting its metallic texture and rust tones.
Carl Andre, Rust and Bright Ripple, 1978, metal (eight units), Dorothy and Herbert Vogel Collection, 2007.6.84

Rust and Bright Ripple

Carl Andre · 1978 · metal (eight units) ·  Accession ID  2007.6.84

The image contains two sets of geometric shapes – a square inside a circle within a larger square. The design appears symmetrical and precise, resembling elements often found in architectural or technical drawings.
Robert Mangold, Two Variations on Blue-Gray Painting with Light and Dark Lines, 1974, graphite on wove paper, The Dorothy and Herbert Vogel Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy and Herbert Vogel, 1991.241.99

Two Variations on Blue-Gray Painting with Light and Dark Lines

Robert Mangold · 1974 · graphite on wove paper ·  Accession ID  1991.241.99

The image shows a large right triangle with internal vertical and horizontal lines, creating smaller shapes within it. The background is blank.
Robert Mangold, A Square Not Totally within a Triangle, 1975, purple acrylic paint and yellow pencil on paper mounted to wove paper, The Dorothy and Herbert Vogel Collection, Ailsa Mellon Bruce Fund, Patrons' Permanent Fund and Gift of Dorothy and Herbert Vogel, 1991.241.101

A Square Not Totally within a Triangle

Robert Mangold · 1975 · purple acrylic paint and yellow pencil on paper mounted to wove paper ·  Accession ID  1991.241.101

The image shows a series of vertical, elongated oval shapes in a row with grids of horizontal and vertical lines. The color palette transitions from deep reds and oranges on the left to varying shades of gray and black on the right. The shapes are textured with fine white lines, resembling a pattern similar to woven fabric. The repeated pattern and consistent spacing between the shapes convey an organized structure.
Edda Renouf, Janitzio #3, 1982, incised watercolor on Arches paper, Dorothy and Herbert Vogel Collection, 1999.118.7

Janitzio #3

Edda Renouf · 1982 · incised watercolor on Arches paper ·  Accession ID  1999.118.7

The image displays layered rectangles with soft, blurry edges against a textured paper background. The colors spread across the surfaces in vibrant shades of red, yellow, green, and blue, resembling watercolor pigments blending. The arrangement of colors and shapes suggest a transparent window or a fluid interpretation of a sunset sky. The interplay of colors creates a stained glass-like effect with light filtering through various hues.
Lynda Benglis, Untitled, 1997-1998, pigmented beeswax and damar resin on wove paper, Dorothy and Herbert Vogel Collection, 2007.6.249

Untitled

Lynda Benglis · 1997-1998 · pigmented beeswax and damar resin on wove paper ·  Accession ID  2007.6.249