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Museum of Modern Art

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This sepia-toned photograph shows a long, grassy path that extends into the distance. The path is lined on either side with rows of leafless trees. On the right is a large statue of a robed person on a tall rectangular base. At the center of the photograph, a grand house is visible in the distance at the end of the path.
Eugène Atget, Parc de Sceaux, 1925, gelatin silver print, Patrons' Permanent Fund, 2002.73.27

Parc de Sceaux

Eugène Atget · 1925 · gelatin silver print ·  Accession ID  2002.73.27

This painting shows vague shapes made of intersecting and curving lines. In the center, two stylized human figures in suits and hats are depicted sitting next to each other. The man on the right has a peach-colored head, while the man on the left has a gray head. Neither of them has distinct facial features. In front of them is a large, seated animal that resembles a brown bull or a cow, its head facing the left. On either side of the men are tall, smooth green shapes that are similar to trees. Behind them, red, black, and white geometric patterns suggest buildings.
Fernand Léger, Animated Landscape (Paysage animé, 1er état), 1921, oil on canvas, Gift of Carroll Janis and Donna Seldin Janis, 2008.126.1

Animated Landscape (Paysage animé, 1er état)

Fernand Léger · 1921 · oil on canvas ·  Accession ID  2008.126.1

The image shows a close-up view of an ancient tree with a gnarled trunk. The perspective is from ground level looking up at the tree. The horizon is low in the frame, visible through the branches and sparse foliage. The bark of the tree is detailed and textured. The color palette includes browns and sepia tones. In the distance, more trees are visible against a pale sky in a park setting.
Eugène Atget, Saint-Cloud (Hêtre), 1919/1921, albumen silver print, Patrons' Permanent Fund, 2002.73.15

Saint-Cloud (Hêtre)

Eugène Atget · 1919/1921 · albumen silver print ·  Accession ID  2002.73.15

This photograph shows a group of individuals working together on a dirt path under dappled sunlight. Three figures are posing in different positions while engaged in manual labor. The scene is outdoors among trees, with shadows cast on the ground. The background is softly blurred, emphasizing the foreground activity. The image is in sepia tone, giving it a nostalgic and historical feel. The atmosphere conveys a sense of industriousness and teamwork.
Eugène Atget, Bitumiers, 1899/1900, albumen silver print, Patrons' Permanent Fund, 2002.73.2

Bitumiers

Eugène Atget · 1899/1900 · albumen silver print ·  Accession ID  2002.73.2

The image is captured from a ground-level perspective, showing a wooded area with various trees, some with sparse foliage. The horizon is not clearly visible due to the dense arrangement of tree trunks dominating the scene. The image is in sepia tones, giving it a vintage quality with warm browns and subtle grays. A large tree trunk on the right side appears to be slightly in motion, suggesting a breeze. More trees in the distance add to the scene's complexity.
Eugène Atget, Poirier, 1921, albumen silver print, Patrons' Permanent Fund, 2002.73.16

Poirier

Eugène Atget · 1921 · albumen silver print ·  Accession ID  2002.73.16

The sculpture above the window depicts a male figure in a reclining pose holding a long object. His body is muscular and nude, with flowing hair that falls behind him. The sculpture is carved in a relief fashion, with the figure set against a backdrop of swirling elements. The color of the sculpture is a monochromatic tan or light brown, matching the stone material of the architecture. Positioned in an archway above closed shutters, the sculpture is an ornamental pediment above the window. It is an integral part of the building’s facade, contributing to its classical aesthetic.
Eugène Atget, Hôtel du Cardinal Dubois, 10 rue de Valois, 1913, albumen silver print, Patrons' Permanent Fund, 2002.73.13

Hôtel du Cardinal Dubois, 10 rue de Valois

Eugène Atget · 1913 · albumen silver print ·  Accession ID  2002.73.13

The image shows a set of stone steps leading up to a grassy area. The staircase is adorned with ornate stone carvings. Trees line the path to the right. A stone statue stands at the top of the stairs, partially hidden by trees. The color palette is sepia-toned, highlighting the details of the stone and foliage.
Eugène Atget, Parc de Sceaux, 1925, albumen silver print, Patrons' Permanent Fund, 2002.73.28

Parc de Sceaux

Eugène Atget · 1925 · albumen silver print ·  Accession ID  2002.73.28

The image shows an elevated view of the upper parts of an old, weathered building facade. The horizon is not visible, with the view mostly filled by adjoining buildings, rooftops, and windows. The building in the foreground has a worn surface with visible pipes and shuttered windows, giving it an aged appearance. The color palette is a muted sepia tone, creating a vintage atmosphere. The sky above is bright but indistinct, casting a dim light over the scene. In the distance, more structures fade into soft, blurred focus, adding depth to the urban environment.
Eugène Atget, Cour de Rouen, 1922, albumen silver print, Patrons' Permanent Fund, 2002.73.17

Cour de Rouen

Eugène Atget · 1922 · albumen silver print ·  Accession ID  2002.73.17

The image shows a ground-level perspective of an arched stone bridge spanning horizontally across the scene. The horizon is obscured by the bridge, creating a visual barrier between the viewer and the distant landscape. Through the bridge's arches, a misty body of water and some structures can be seen in the distance. The photo has a sepia tone, giving it a vintage aesthetic. Two large trees with textured bark stand on cobblestone pavement in the foreground, with branches reaching into the canopy above. The composition features dark and light contrasts, emphasizing texture in the stone and foliage.
Eugène Atget, Pont Marie, 1926, albumen silver print, Patrons' Permanent Fund, 2002.73.30

Pont Marie

Eugène Atget · 1926 · albumen silver print ·  Accession ID  2002.73.30

Eugène Atget, Branche de pommier, 1922/1923, albumen silver print, Patrons' Permanent Fund, 2002.73.20

Branche de pommier

Eugène Atget · 1922/1923 · albumen silver print ·  Accession ID  2002.73.20