To celebrate opening weekend of Photography and the Black Arts Movement: 1955-1985, join us for a conversation between exhibition artist Carla Williams and exhibition co-curator Deborah Willis, university professor and chair of the department of photography and imaging at the Tisch School of the Arts and director of the Center for Black Visual Culture at New York University. Their discussion will explore Williams’ creative work as an artist, scholar, writer, and editor, which has championed images of and by Black women. Williams is known for intensely personal self-portraits, like Untitled (Curlers) #1.2 on view in the exhibition, which is the first to consider photography’s impact on a cultural and aesthetic movement that celebrated Black history, identity, and beauty.

Carla Williams (born 1965, Los Angeles) earned her BA in photography from Princeton University and her MA and MFA from the University of New Mexico. As a child of Hollywood, Williams grew up with her own portfolio of headshots. Aged out of acting, Williams started making self-portraits at age 17 using mostly Polaroid 4x5 and instant 35mm film formats. Made in private between 1984 and 1999 and kept mostly to herself for more than 30 years, these images were collected into a monograph titled Tender, which won the First PhotoBook Award at the Paris Photo-Aperture PhotoBook Awards in 2023. She also edited photo journals and cowrote The Black Female Body: A Photographic History (2002) with Deborah Willis. Williams served as a curator of photography at the J. Paul Getty Museum and the Schomburg Center for Research in Black Culture and was a professor at the Rochester Institute of Technology. In 2014, she moved to New Orleans and opened a store specializing in vintage material by Black artists. Her honors include the International Center for Photography's Infinity Award (1994) and the Guggenheim Fellowship (2025).