Talks & Conversations

Book Talk: Art & Water

Art & Water book, vellum jacket, and poster insert by artist Aline Motta

Water and its transmutations link the contributions in Art & Water, the second volume in the series Art & from the National Gallery’s Center for Advanced Study in the Visual Arts

The series situates the study of art at the intersection of various disciplines—here, they include modernist literature, poetry, film, and both natural and built environments. Essayists use water to address hydrolatry practices in India; ritual objects and practices of enslaved Afro-Surinamers; traces of millstones in the architecture of Seville; and visualizations of sea-level change in the nineteenth-century United States. Their research places art within broader conversations in the humanities considering a water-oriented rather than terrestrial historical framework.

The book is enlivened by first-person narratives that examine deeply embedded meanings of water. Continuing the series’ tradition of exciting book design, an enclosed poster from Brazilian multimedia artist Aline Motta addresses ancestry, memory, and belonging across the Black Atlantic while compellingly conjuring water’s capacity to transform, bring together, and renew. Water as a connective theme offers a fitting lens to advance understandings of how art, as both material object and practice, remains entangled with the natural, supernatural, and scientific—and, like water, remains inseparable from our daily lives.

This event is co-organized with Politics and Prose and will take place at their Connecticut Avenue location in Washington, DC. It is free with first-come, first-served seating. View the event on their website.

Roberto Tejada

Roberto Tejada is an award-winning poet and the author of art histories that include Along the Diagonal: Art / Essays / América (2026), National Camera: Photography and Mexico’s Image Environment (2009) and Celia Alvarez Muñoz (2009), as well as the poetry collections Carbonate of Copper (2025), Why the Assembly Disbanded (2022) and Exposition Park (2010). A Guggenheim Fellowship recipient, Tejada serves as the Hugh Roy and Lillie Cranz Cullen Distinguished Professor at the University of Houston, where he teaches creative writing and art history.

Christina Wiginton

Christina Wiginton is an art book publishing specialist focused on color-critical print production for visually ambitious museum publications and nonfiction books. She has worked extensively in illustrated book development, first at the Smithsonian Institution and now at the National Gallery of Art.

Kaira M. Cabañas

Tejada and Wiginton will be in conversation with Kaira M. Cabañas, associate dean for academic programs and publications at the Center for Advanced Study in the Visual Arts. Cabañas is the award-winning author of several volumes, including Immanent Vitalities: Meaning and Materiality in Modern and Contemporary Art (2021), which received the College Art Association’s Frank Jewett Mather Award. Her previous work, Learning from Madness: Brazilian Modernism and Global Contemporary Art (2018), was recognized as a finalist for the Modernist Studies Association Book Prize.

Publication

Art & Water

Art &, Volume 2

Essays, personal meditations, and images that explore water in all its renewing, destructive, corrosive, and connecting power.

Read more

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The painting depicts three children within an oval frame, their upper bodies visible. The central child, a young girl, is positioned with her body facing forward and her head turned slightly to the left. She has a fair complexion, with rosy cheeks, pink lips, and wide brown eyes. Her hair is gray and partially pulled back by a blue ribbon. She is dressed in a white garment with a yellow shawl draped over her shoulders. Her arms are outstretched, holding the ends of a cloth that has been pinned on her dress. Her arms and the cloth extend forward beyond the oval frame that encircles the trio, as if the frame is a window or porthole that she is reaching out of. On the right, a boy leans on the girl's shoulder, also facing to the left, seen in profile. He has light brown, curly hair and a fair complexion. He wears a dark blue-green jacket over a white collar, and he is looking upward towards the third child. On the left, another boy, who also has light skin and light brown curly hair, appears to stand on a chair above the other two children. He is holding a long yellow straw up to his lips. At the other end of the straw, a large bubble hangs over the white cloth that the girl holds out. In his other hand is a small white dish. He wears a muted brown outfit with a dark cloth wrapped around him. The background within the frame is plain gray, and the frame that surrounds the children is light gray and appears to be carved with leaf designs. Beyond the oval frame is gray.

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Registration Required
The painting depicts three children within an oval frame, their upper bodies visible. The central child, a young girl, is positioned with her body facing forward and her head turned slightly to the left. She has a fair complexion, with rosy cheeks, pink lips, and wide brown eyes. Her hair is gray and partially pulled back by a blue ribbon. She is dressed in a white garment with a yellow shawl draped over her shoulders. Her arms are outstretched, holding the ends of a cloth that has been pinned on her dress. Her arms and the cloth extend forward beyond the oval frame that encircles the trio, as if the frame is a window or porthole that she is reaching out of. On the right, a boy leans on the girl's shoulder, also facing to the left, seen in profile. He has light brown, curly hair and a fair complexion. He wears a dark blue-green jacket over a white collar, and he is looking upward towards the third child. On the left, another boy, who also has light skin and light brown curly hair, appears to stand on a chair above the other two children. He is holding a long yellow straw up to his lips. At the other end of the straw, a large bubble hangs over the white cloth that the girl holds out. In his other hand is a small white dish. He wears a muted brown outfit with a dark cloth wrapped around him. The background within the frame is plain gray, and the frame that surrounds the children is light gray and appears to be carved with leaf designs. Beyond the oval frame is gray.

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Registration Required