Talks & Conversations

Conservation is a Logic of Love

A glass holding a loose bouquet of flowers set within an oval is surrounded by eight insects against an off-white surface in this vertical still life painting. It is impossible to tell whether the oval is an opening piercing the white surface or if the still life is an oval-shaped painting sitting on top of the white surface. The glass holding the flowers has straight, slightly flaring sides with a ring of textured knubs around the bottom third. Flowers in the glass include a white lily of the valley, yellow and purple violet, blue grape hyacinth, yellow narcissus, red poppy, upside-down cup-shaped pink snake’s head fritillary, and stems of greenery. The bouquet is lit from the left, and a ray of light focused by the glass falls across the back edge of the wooden ledge on which the glass sits. Two drops of water bead on the ledge, and the artist signed the front face of the ledge, “CLARA P.” The background behind the flowers within the oval is black. The bugs on the white surface are much larger in scale, painted precisely so anatomical details can be made out. Across the top are a dragonfly with a green body, a house fly with red eyes, and a dragonfly with a red body. A fuzzy caterpillar is to the left of the oval and a hornet is to the right. Across the bottom are a snail, a ladybug, and a beetle with a black body and red wings and legs.
Clara Peeters, Still Life with Flowers Surrounded by Insects and a Snail, c. 1610, oil on copper, The Lee and Juliet Folger Fund, 2018.144.1

Please join us for a conversation on the intersection of art, conservation, and science with artist Dario Robleto, the National Gallery of Art's chief of conservation Lena Stringari, conservator Michelle Facini, and imaging scientist John Delaney. Together, they will explore the fragility of art and the natural world and discuss the empathy and ethics involved in preserving materials and memories.

This program is held in conjunction with the exhibition Little Beasts: Art, Wonder, and the Natural World.

About Little Beasts: Art, Wonder, and the Natural World

Experience the wonder of nature through the eyes of artists. Look closely at art depicting insects and other animals alongside real specimens.

Art played a pivotal role during the dawn of European natural history in the 16th and 17th centuries. Advancements in scientific technology, trade, and colonial expansion allowed naturalists to study previously unknown and overlooked insects, animals, and other beestjes, or “little beasts.”  

A delight for all ages, this exhibition features nearly 75 of these paintings, prints, and drawings in a unique presentation alongside specimens and taxidermy from the Smithsonian National Museum of Natural History. Learn about the rich exchange between artists and naturalists that sparked a fascination with earth’s living creatures, big and small. See how this intersection of art and science continues to inspire us today in a new film by Robleto.

You may also like

A woman plays an upright piano as two boys play checkers at a table in this horizontal painting. The scene is loosely painted with areas of flat color and pattern. The people have pale, peachy skin and dark brown hair. Their facial features are painted with dots or short strokes of black. The piano is against the wall to our left. The woman wears a short-sleeved, lemon-yellow dress with a long skirt. A music book is propped on the music stand, and loosely painted objects line the top of the instrument. The wall behind the piano is patterned with white and pale yellow flowers under and around arches against a cranberry-red background. The table where the boys play is in the middle of the room. The players sit in wooden chairs and wear black and white striped jackets with white collars. The boy to our right looks at the board while resting his left cheek, closer to us, in his hand. The other boy looks on with his arms on the table in front of him. The checkerboard sits on a red and white striped cloth, which has lines of black dots in the white strips. Beneath the table is a floral rug with blue and black flowers against a red background. The border is painted loosely with leafy shapes against bright white. Beneath the area rug the floor or another carpet is garnet red with a diamond-shaped grid painted in orange. A petal-pink, upholstered chair sits in front of a tall wardrobe in the back corner of the room. A picture with two violins against a blue background hangs on the side of the furniture to our right. A chest of drawers next to the wardrobe holds a few bowls or objects and a white statue, about half human height. The statue is of a person standing with one knee bent in front of the other, one elbow tucked by the side with that hand held to the chest, and the other bent elbow raised overhead. Pictures hang on the wall around the statue, and the wallpaper there is ivory white with a dark yellow pattern. The artist signed the work in the lower right corner, “Henri Matisse.”

Talks & Conversations:  The Art of Looking: Henri Matisse, Pianist and Checker Players

–
Registration Required
This painting shows a woman sitting with her body turned to the right, her hands clasped around her knees and her head tilted up to the ceiling. Her eyes are closed, and her long, wavy hair flows over her shoulders and down her back. She has pale skin, and her face is illuminated by dramatic lighting, highlighting her round cheeks and small nose. She is wearing a white blouse with ruffled sleeves that drapes off of her right shoulder, exposing her neck, sternum, and part of her shoulder. Over this shirt she seems to be wearing a draped purple garment with a yellow border that covers her other shoulder and her legs. The background is dark.

Talks & Conversations:  The Art of Looking: Artemisia Gentileschi, Mary Magdalene in Ecstasy 

–
Registration Required

Talks & Conversations:  Poetry Reading: Joseph Stanton on American Art

–