Talks & Conversations

Little Beasts: Art, Wonder, and the Natural World

Introduction to the Exhibition
Birds either standing or flying, a monkey, and two trees.
Anonymous Artist, Study of Birds and Monkey, 1660/1670, oil on copper, Gift of John Dimick, 1983.19.1

Celebrate opening day of Little Beasts: Art, Wonder, and the Natural World with this overview by artist Dario Robleto and exhibition curators Alexandra Libby, Brooks Rich, and Stacey Sell. A signing of the exhibition catalog will follow in the East Building Concourse Shop. 

About Little Beasts: Art, Wonder, and the Natural World

Experience the wonder of nature through the eyes of artists. Look closely at art depicting insects and other animals alongside real specimens.

Art played a pivotal role during the dawn of European natural history in the 16th and 17th centuries. Advancements in scientific technology, trade, and colonial expansion allowed naturalists to study previously unknown and overlooked insects, animals, and other beestjes, or “little beasts.”  

A delight for all ages, this exhibition features nearly 75 of these paintings, prints, and drawings in a unique presentation alongside specimens and taxidermy from the Smithsonian National Museum of Natural History. Learn about the rich exchange between artists and naturalists that sparked a fascination with earth’s living creatures, big and small. See how this intersection of art and science continues to inspire us today in a new film by Robleto.

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This nearly abstract painting is created with flowing bands and triangular forms of mostly single colors in caramel brown, pine and spring green, apricot orange, plum purple, or fuchsia, with some bands of unpainted canvas in this horizontal painting. A wide, tan-colored band rises from the lower left corner toward the upper right. There are triangular forms in pumpkin orange to our left and another near the lower right. With the brown band, they recall hills along a valley. Pink, orange, deep purple, and fuchsia are painted in bands in the lower right corner and across the bottom. Above the tan band, a wide swath of spring and dark green may suggest hills beyond, with swirling yellow, black, pink, and blue under a patch of lavender purple that spans the top edge of the canvas, which could be the sky. The painting is signed and dated at the lower right corner, “Frankenthaler ’73.”

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