Talks & Conversations

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The Early History of the Accademia di San Luca

Detail of ASR, TNC, uff. 15, 1624, pt. I, vol. 99, fol. 367r (January 24, 1624)

Virtual

Join us for a one-hour virtual workshop exploring the new resources website for the Early History of the Accademia di San Luca research project, dedicated to the first century of the artists’ academy in Rome. Learn how to navigate hundreds of early modern notarial documents, as well as historical maps and guidebooks, with the project’s team. Hear more about the project and its recent transformations. No expertise necessary—we welcome your questions and curiosity.

Initiated in 2007, this project is a collaboration between the National Gallery’s Center for Advanced Study in the Visual Arts and the Archivio di Stato di Roma and the Accademia Nazionale di San Luca.

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Talks & Conversations:  The Art of Looking: Henri Matisse, Pianist and Checker Players

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This painting shows a woman sitting with her body turned to the right, her hands clasped around her knees and her head tilted up to the ceiling. Her eyes are closed, and her long, wavy hair flows over her shoulders and down her back. She has pale skin, and her face is illuminated by dramatic lighting, highlighting her round cheeks and small nose. She is wearing a white blouse with ruffled sleeves that drapes off of her right shoulder, exposing her neck, sternum, and part of her shoulder. Over this shirt she seems to be wearing a draped purple garment with a yellow border that covers her other shoulder and her legs. The background is dark.

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A sky streaked with azure blue stretches over a gray landscape in this surreal, vertical painting. The sky and land meet halfway up the canvas at a series of short, sharp, charcoal-gray peaks, like canine teeth. Small, diffuse, butter-yellow ovals waft above the peaks. Nine fluffy, cotton-ball like shapes cast narrow shadows across the gray-streaked plane. Three amorphous shapes float over the land closer to us. A ginger-brown, drippy form is to our left, a teal-green, bean-shaped object surrounded with fuzzy white tentacles is to our right, and a peacock-blue, L-shaped drip floats in the distance near the horizon. Thinly painted white and gray lines squiggle or sweep onto the canvas from the left edge. The artist signed and dated the painting in the lower right, “Yves Tanguy 29.”

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