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The Early History of the Accademia di San Luca

Detail of ASR, TNC, uff. 15, 1624, pt. I, vol. 99, fol. 367r (January 24, 1624)

Virtual

Join us for a one-hour virtual workshop exploring the new resources website for the Early History of the Accademia di San Luca research project, dedicated to the first century of the artists’ academy in Rome. Learn how to navigate hundreds of early modern notarial documents, as well as historical maps and guidebooks, with the project’s team. Hear more about the project and its recent transformations. No expertise necessary—we welcome your questions and curiosity.

Initiated in 2007, this project is a collaboration between the National Gallery’s Center for Advanced Study in the Visual Arts and the Archivio di Stato di Roma and the Accademia Nazionale di San Luca.

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Two angular, cream-white buildings flanking a central, stylized tree are surrounded by brown soil, small animals, and farmhouse objects like watering cans and buckets beneath a clear, azure-blue sky in this square landscape painting. We look straight onto the buildings and slightly down onto the earth in front of us. About a third of the way up the composition, the horizon is lined with trees and mountains in the deep distance. The long, spindly branches of the central tree nearly reach the top edge of the painting and abstracted, sickle-shaped leaves are silhouetted against the sky so no leaves overlap. The far edge of the whitewashed structure to our left is cropped. The façade is pierced by two small rectangular windows and an arched hatch at the top under a winch. The back end of a horse is visible through an open door at the bottom center. Horizontal bands in front of the building suggest furrows in plowed earth, and a single stalk of corn grows up into the scene, seeming close to us. A pen protected by netting stretches out in front of the second structure, to our right of center. That wood-frame building has a triangular peaked roof, and the left half is open, like a lean-to. A goat, rooster, birds, and several rabbits occupy the pen. Watering cans, buckets and pails, a hoe, newspaper, lizard, and snail are spaced around the buildings. A tiny stylized person, perhaps a baby, appears in the distance between the buildings near a well where a woman works. A covered wagon, a round mill, trees, and plants fill the rest of the space between the buildings. A disk-like moon hangs in the sky to the right of the tree. The artist signed and dated the lower left corner, "Miro. 1921-22."

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Registration Required