Talks & Conversations

Introduction to the Exhibition: Photography and the Black Arts Movement, 1955–1985

Anthony Barboza, Grace Jones, New York City, 1970s, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2021.35.5

Celebrate the opening of Photography and the Black Arts Movement, 1955–1985 with this overview by exhibition curators Philip Brookman, the National Gallery’s consulting curator of photographs, and Deborah Willis, university professor and chair of the department of photography and imaging at the Tisch School of the Arts and director of the Center for Black Visual Culture at New York University. This exhibition is the first to consider photography’s impact on a cultural and aesthetic movement that celebrated Black history, identity, and beauty.

A signing of the exhibition catalog will follow in the East Building Concourse Shop.

About the exhibition

As Black Americans continued their struggle for political liberation and self-determination in the late 1950’s and early 1960’s, a group of artists, poets, musicians, playwrights, and filmmakers united around a new approach—art. Using creative mediums to express messages of Black empowerment and advance social justice, their efforts became known as the Black Arts Movement, often considered the cultural arm of the Black Power Movement.

Photography was central to the movement, attracting all kinds of artists—from street photographers and photojournalists to painters and graphic designers. This expansive exhibition presents 150 examples by over 100 artists. Explore the radical vision shaped by generations of artists including Billy Abernathy, Romare Bearden, Kwame Brathwaite, Roy DeCarava, Doris Derby, Emory Douglas, Barkley Hendricks, Barbara McCullough, Betye Saar, and Ming Smith. See how they both shaped and documented the Black Arts Movement.

You may also like

cancelled

A young boy with pink and tan-colored skin stands next to a seated woman with an ashen white face, and both look out at us in this vertical portrait painting. The scene is created with broad areas of mottled color in rust and coral red, pale pink, lilac purple, ivory white, and shades of tawny brown. The eyes of both people are heavily outlined with large, dark pupils. To our right, the woman’s pale, oval face is surrounded by a muted, mint-green cloth that covers her hair and wraps across her neck. Her eyes are outlined with charcoal gray, and her heavy lids shaded under arched brows with smoky, plum purple. She has a straight nose, and her burgundy-red lips are closed in a straight line. Her long, rose-pink dress is lavender purple below the knee, and is scrubbed with darker pink strokes across her lap. Her sleeves are tan on the upper arms and cream white on the forearm, over two blush-pink forms that represent her hands resting on her thighs. Along the top of her shoulders, her dress is terracotta red. A rectangular, fog-gray form behind her could be a chair or a half-wall, the top edge of which is higher to our right of her head. To our left, the boy has dark brown, short hair over putty pink, protruding ears. The area between his eyelid and arched brow is filled in with chocolate brown, giving his staring eyes a hooded look. His jawline, chin, and lips are outlined with dark brown. His khaki-brown, knee-length coat has pale, rose-pink sleeves and a black collar. An area of pale, ice blue could be a kerchief or high-collared shirt, and he wears fawn-brown pants. One of his slippers is coffee brown and the other, closer to the woman, is slate gray. He holds a loosely painted, pale, turquoise-blue object in one hand at his waist. The pair are situated against a background painted in areas of coral, ruby, crimson, and wine red. Two vertical, concrete-gray strips behind the boy and woman could be columns. The floor along the bottom edge of the painting is pale pink.

Talks & Conversations:  The Dreams of Arshile Gorky

cancelled

Talks & Conversations:  A Snapshot of Photography and the Black Arts Movement, 1955-1985

cancelled

Talks & Conversations:  A Snapshot of Photography and the Black Arts Movement, 1955-1985