Talks & Conversations

Storytime: Daddy / Papi

A very young visitor looking through a children's book in the National Gallery's East Building.

Visitors enjoy Storytime in the National Gallery's East Building.

Visitors enjoy Storytime in the National Gallery's East Building.

Let’s play together while reading aloud the children’s book Daddy / Papi written and illustrated by Leslie Patricelli in English and Spanish.

Our playgroup will gather at the East Building entrance, and we’ll get settled in the Atrium with a special, rotating book and other creative play activities to enjoy. We’ll read the story twice. Storytime is free of charge and registration is not required. 

You’re welcome to park strollers at coat check. Children must be accompanied by an adult.

Have a group to bring? Questions?

Contact [email protected].

Juguemos juntos mientras leemos un libro en voz alta en inglés y en español. Invitamos a personas de todas las edades, especialmente a nuestros visitantes más jóvenes, así como a padres y madres lactantes.

Nuestro grupo de juegos se reunirá en la entrada del Edificio Este y nos acomodaremos en el atrio con un libro rotativo especial y otras actividades creativas de juego para disfrutar. La hora de contar cuentos es una actividad gratuita y no es necesario inscribirse.

Se pueden aparcar los cochecitos en el guardarropa. Los niños deben estar acompañados de un adulto.

¿Quiere traer a un grupo? ¿Preguntas?

Escriba a [email protected].

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Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting. The glowing cliffs dominate the upper right quadrant of the painting. They lighten from burnt orange along the jagged tops to flame orange down the steep sides, and are and warm, parchment white near the earth. One tall, narrow promontory to our right looms over a range of lower, rounded cliffs. As the cliffs move into the distance, they are shrouded with a lavender-purple haze. The land closest to us dips into a shallow valley at the bottom center of the composition, leading away from us. The dirt-packed earth is dotted with pine-green, scrubby bushes and vegetation and a grove of low, gnarled trees a short distance to our right. One chestnut-brown horse walks along the path at the bottom center of the composition, lagging behind a cluster of at least two dozen horses and riders winding into the distance. The horses range from ivory white to tawny brown and charcoal gray. The riders are loosely painted so some details are indistinct, but they all seem to have brown skin and dark hair. They wear feathered headdresses and garments in teal blue, fawn brown, or golden yellow. They ride over a low hill toward a crystal-blue river, and then back along a flat expanse toward a row of minuscule, triangular tepees lining the horizon in the deep distance. The horizon comes halfway up the composition, and the tepees are backed by a row of rose-pink, flat-topped cliffs. A pale yellow disk hangs low in the sky, over the distant cliffs. The sky above deepens from soft, lilac purple along the horizon to ice and sapphire blue along the top. A few wispy clouds are burnished orange in the sunlight. The artist signed and dated the painting in the lower right corner, “TYMoran 1881,” with the T, Y, and M overlapping to make a monogram.

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