Inscription
on a smoothed irregular rectangle on bottom left side: A. Rodin
Provenance
Acquired 1902 from the artist by Mr. and Mrs. John W. Simpson, New York; gift 1942 to NGA.
Exhibition History
- 1946
- Rodin: Sculpture, Drawings, Prints, National Gallery of Art, Washington, D.C., 1946, no. 6, as Girl and Cupid (Premieres[sic] Impressions d'Amour).
- 1965
- Wax Sculptures by Degas, Sculptures and Drawings by Rodin, National Gallery of Art, Washington, D.C., 1965-1966, no cat.
- 1974
- Nineteenth-Century Sculpture, National Gallery of Art, Washington, D.C., 1974, unnumbered checklist.
- 1981
- Rodin Rediscovered, National Gallery of Art, Washington, D.C., 1981-1982, no. 150, as Fleeting Love.
Bibliography
- 1944
- Grappe, Georges. Catalogue du Musée Rodin. 5th ed. Paris, 1944: 49.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 169, as Woman and Child.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 149, repro., as Woman and Child.
- 1976
- Tancock, John. The Sculpture of Auguste Rodin. Philadelphia, 1976: 182-185.
- 1977
- de Caso, Jacques, and Patricia B. Sanders. Rodin's Sculpture: A Critical Study of the Spreckels Collection. San Francisco, 1977: 99-100.
- 1977
- Walker Art Gallery. Foreign Catalogue. Vol. 1., Liverpool, 1977: 332.
- 1988
- Beausire, Alain. Quand Rodin Exposait. Paris, 1988: 91, 125, 196, 217, 235, 237, 241, 266, 332.
- 1993
- Rosenfeld, Daniel G. "Auguste Rodin's Carved Sculpture." Ph.D. diss., Stanford University, 1993: 436-443.
- 1994
- Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 209, repro.
- 2000
- Butler, Ruth, and Suzanne Glover Lindsay, with Alison Luchs, Douglas Lewis, Cynthia J. Mills, and Jeffrey Weidman. European Sculpture of the Nineteenth Century. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 351-354, color repro.
- 2019
- Le Normand-Romain, Antoinette. "Auguste Rodin and the Question of the Original in Sculpture." Facture: conservation, science, art history 4 (2019): 102-127, fig. 5.
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