Since the 1960s, Lucas Samaras has made series of obsessional, sometimes hallucinatory objects. Prominent among his motifs is the chair, which Samaras has executed in a variety of materials such as fabric, wire mesh, and mirrored glass, thereby turning a utilitarian object into a fantastic one, the product of a dreamlike metamorphosis. Here, Samaras explores the dual meaning of "flight," referring to both the stairlike form created by the stacked chairs, and to the locomotion of a single chair moving diagonally through space. From different viewpoints, the sculpture appears to be upright, leaning back, or springing forward. From the side, it even appears as a two-dimensional, zigzagging line.