Portrait of a Couple

1924

James Van Der Zee

Artist, American, 1886 - 1983

An elegantly dressed Black man and woman stand facing and looking at us, slightly smiling, in a room in this vertical photograph. The image is monochromatic like a black and white photograph but is printed in warm tones of golden and dark browns. To our left, the man has short-cropped hair and is cleanshaven. He has dark eyes, a rounded nose, and his lips are closed in a slight smile. He wears a three-piece tuxedo and holds a bowler hat and cane in his right hand, on our left. He pulls his suit jacket back to hook his other thumb in his vest pocket. He wears rings on each of his pinky fingers and a chain crosses his vest, tucked into the same pocket as his thumb. The woman stands with her left hand, on our right, on her hip and her other hand resting on the man’s shoulder. She has a delicate nose, dark eyes, and her closed lips turn up slightly at the corners. She has a cheek-length bob haircut and wears dangling earrings and a necklace with a pendant. Her ankle-length, sleeveless dress is beaded with geometric and scrolling patterns. Some of the beads and the ring she wears on the third finger of the hand on her hip catch and reflect the light. An upholstered chair sits to our left and a wood side table with an urn filled with flowers and a telephone stands to our right. The telephone has a conical earpiece hanging from a stand with a flaring mouthpiece. The backdrop behind the people has a painted or wallpapered section to our left and an arch leading to a curtained window to our right. Parts of the photograph are noticeably out of focus, particularly in the background and the flowers. The artist signed the work with white letters against the dark shadows under the seat of the chair, near the lower left corner: “VAN DER ZEE NYC 1924.”
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We don’t know their names, but they are a lovely couple. He is dignified, with watch chain, derby, and cane. She is fashionable, in an embroidered dress adorned with modest jewelry, her hair styled in a 1920s bob. Although this is a formal studio portrait, a relaxed warmth fills the picture. Perhaps that is because James Van Der Zee was one of the most skilled photographers in New York’s Harlem from the 1920s to the 1940s. He knew his clients and literally showed them in the best light. His photographs chronicle a vibrant community with a strong sense of identity.


Artwork overview

  • Medium

    gelatin silver print

  • Credit Line

    Robert B. Menschel Fund

  • Dimensions

    image/sheet: 25.2 × 20.2 cm (9 15/16 × 7 15/16 in.)

  • Accession

    2000.83.1

  • Copyright

    © James Van Der Zee Archive, The Metropolitan Museum of Art


Artwork history & notes

Provenance

The Estate of James Van Der Zee, New York; by inheritance to Donna Van Der Zee, New York; (Howard Greenberg Gallery, New York), by 1999; NGA purchase, 2000.

Associated Names

Exhibition History

1993

  • Van Der Zee: Photographer, 1886 - 1983, The National Portrait Gallery, Washington, D.C., October 22, 1993 - February 13, 1994.

2009

  • Harlem Renaissance, Oklahoma City Museum of Art, Oklahoma City, 2009, unnumbered catalogue.

2015

  • In Light of the Past: Celebrating Twenty-Five Years of Collecting Photographs at the National Gallery of Art, Washington, DC, May 3 – July 26, 2015

2017

  • Posing for the Camera: Gifts from Robert B. Menschel, National Gallery of Art, Washington, 2017 - 2018, unnumbered catalogue.

Bibliography

1993

  • Van Der Zee: Photographer, 1886 - 1983. Exh. cat. The National Portrait Gallery. Washington, D.C., 1993: 91.

Inscriptions

signed by artist, lower left in negative: VAN DER ZEE / NYC [underlined] / 1924; on verso, artist's stamp center in black ink

Wikidata ID

Q64155559


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