Provenance
Cathedral of Siena, in the early 1800s.[1] Private collection, Tuscany; Alexander Barker [c. 1797-1873], London and Florence;[2] Paul Pavlovich Demidoff [1839-1885], prince of San Donato, near Florence; (his sale, Florence, 15 March-10 April 1880, no. 368, as La Vierge aux Roses by Parri Spinelli). L. Ganetiez, Paris; (sale, Christie, Manson & Woods, London, 13 July 1889, no. 65, as The Madonna with the Infant Savior, with roses in the background by Parri Spinelli); (Ellis).[3] (Leo Nardus [1868-1955], Suresnes, France, and New York); sold 1898 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania;[4] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA.
Exhibition History
- 2002
- The Flowering of Florence, National Gallery of Art, Washington, D.C., 2002, no. 2, repro.
Bibliography
- 1916
- Berenson, Bernard, and William Roberts. Pictures in the Collection of P.A.B. Widener at Lynnewood Hall, Elkins Park, Pennsylvania: Early Italian and Spanish Schools. Philadelphia, 1916: unpaginated, repro., as by Pier Francesco Fiorentino.
- 1923
- Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1923: unpaginated, repro., as by Pier Francesco Fiorentino.
- 1931
- Paintings in the Collection of Joseph Widener at Lynnewood Hall. Intro. by Wilhelm R. Valentiner. Elkins Park, Pennsylvania, 1931: 152, repro., as by Pier Francesco Fiorentino.
- 1942
- Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 6, as by Pier Francesco Fiorentino.
- 1948
- Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 6, repro., as by Pier Francesco Fiorentino.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 102.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 90, repro.
- 1975
- European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 268, repro.
- 1979
- Shapley, Fern Rusk. Catalogue of the Italian Paintings. 2 vols. National Gallery of Art, Washington, 1979: 1:266-267; 2:pl. 182, as Lippi-Pesellino Imitator.
- 1985
- European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 311, repro.
- 2003
- Boskovits, Miklós, and David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, D.C., 2003: 416-421, color repro.
- 2013
- Langhanke, Birgit. Die Madonnenreliefs im Werk von Antonio Rossellino. Ph.D. diss. Ludwig-Maximilians-Universität, Munich, 2013: 488 fig. 146.
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