Part of the Crowd at the Ecce Homo

Not on View

black and red chalk, pen and black ink on laid paper laid down on Japanese paper

overall: 32.4 x 41 cm (12 3/4 x 16 1/8 in.)

2001.121.1

Sir Peter Paul Rubens (artist) Flemish, 1577 - 1640

Italian (artist)

Titian (artist after) Venetian, 1488/1490 - 1576

by later hand, lower right in brown ink: Spagnoletto

Crozat(?). Victor Koch, London; (sale, Christie, Manson, & Woods, London, 18 April 1967, no. 48); Alice M. Kaplan, New York; gift to NGA, 2001.

Kaplan, Jacob M., Mrs.

1970: Flemish Drawings and Prints of the 17th Century, The Metropolitan Museum of Art, New York, 1970, no. 31.

1981: The Alice M. Kaplan Collection, Columbia University, New York, 1981, catalog by Linda Bantel, no. 36.

2017: Rubens: The Power of Transformation, Kunsthistorisches Museum Wien, Vienna; Städelsches Kunstinstitut und Städtische Galerie, Frankfurt, 2017, no. 18.

1959: Held, Julius S. Rubens, Selected Drawings. 2 vols. New York, 1959: 1: no. 167, plate 174.

1962: Müller Hofstede, Justus. "Opmerkingen bij enige tekeningen van Rubens in het Museum Boymans-van Beuningen" Bulletin Museum Boymans-van Beuningen XIII (1962): 103-105, fig. 16.

1966: Jaffé, Michael. "Rubens as a Collector of Drawings, Part Three." Master Drawings IV (1966): 128-129.

1967: Christie, Manson & Woods. Christie's Review of the Year, October 1966 - July 1967. London, 1967: 36.

1972: Vlieghe, Hans. Saints. 2 vols. Series: Corpus Rubenianum Ludwig Burchard Part VIII, London and New York, 1972: I: 113.

2012: Bober, Jonathan. "Sull'attribuzione a Caravaggio dei disegni del Castello Sforzesco," in Simone Peterzano, ca. 1535-1599, e i disegni del Castello Sforzesco. Franceesca Rossi, ed. Milan, 2012: 67 (fig. 4), 68.