Provenance
Possibly Marquis de Ménars.[1] Baron Roger de Sivry, Paris; by inheritence to his wife, Madame la Baronne Roger de Sivry, Paris; (her estate sale, Hôtel Drouot, Paris, 22-23 March 1904, 2nd day, no. 164); (Duveen Brothers, Inc., London and New York); sold 21 December 1904 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania;[2] gift 1942 to NGA.
Exhibition History
- 1973
- François Boucher in North American Collections: One Hundred Drawings, National Gallery of Art, Washington, D.C.; Art Institute of Chicago, 1973-1974, unnumbered brochure titled François Boucher: Influence and Versatility (shown only in Washington).
Bibliography
- 1942
- Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 8, as Bust of a Girl.
- 1948
- Paintings and Sculpture from the Widener Collection. National Gallery of Art, Washington, 1948 (reprinted 1959): 136, repro., as Alexandrine d'Etiolles.
- 1965
- Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 170.
- 1968
- National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 150, repro.
- 1994
- Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 213, repro.
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