Album of Views in England and Wales

1775-1777 (aquatints); 1780 (stipple portrait)

Paul Sandby

Artist, British, 1731 - 1809

Robert Pollard

Artist, British, 1755 - 1838

Artwork overview

  • Medium

    bound volume with 46 etching and aquatints printed in brown on laid paper, prefaced by stipple portrait of Paul Sandby printed in brown

  • Credit Line

    Paul Mellon Fund

  • Dimensions

    book (volume closed): 46 × 32 × 2.3 cm (18 1/8 × 12 5/8 × 7/8 in.)

  • Accession

    2004.119.1.1-47

Media for this artwork is unavailable and the object is not on view. See artworks now on view

Associated Artworks

See all 47 artworks

Chepstow Castle

Paul Sandby, Robert Pollard

1777

Manerbawr Castle from the Inward Court

Paul Sandby, Robert Pollard

1775

Windsor Terrass Looking Eastward

Paul Sandby, Robert Pollard

1776


Artwork history & notes

Provenance

John Waldie (1781-1862). Sir Mayson M. (Moss) Beeton (1865-1947)

Associated Names

Exhibition History

2006

  • The Artist's Vision: Romantic Traditions in Great Britain, National Gallery of Art, Washington, D.C., 2006 - 2007

2008

  • Medieval to Modern: Recent Acquisitions of Drawings, Prints, and Illustrated Books, National Gallery of Art, Washington, 2008, no. 134 b.

2021

  • Aquatint: From Its Origins to Goya, National Gallery of Art, Washington, 2021 - 2022.

Bibliography

1835

  • Nagler, G.K. Neues allgemeines Kunstler-Lexikon, oder Nachrichten von dem Leben und den Werken der Maler, Bildhauer, Baumeister, Kupferstecher, Formschneider, Lithographen, Zeichner, Medailleure, Elfenbeinarbeiter, etc.. 22 vols. Munich: E.A. Fleischmann.

Inscriptions

in gold-tooled letters on brown leather spine: WINDSOR C. / ETON / WARWICK C. / N&S WALES / SANDBY; on typewritten note pasted on free endpaper: Aquatints / Jean Baptiste Le Prince of France invented the principle of Aquatint, his earliest plates dating from 1768. The Hon. Charles Greville bought the secret from him, and passed it on to PAUL SANDBY, an original member of the Royal Academy. / Le Prince used a 'dust ground', but Sandy discovered the spirit-ground process. In 1775 he published the first English Aquatints, - a series of "Twelve Views in Aquatinta from Drawings in South Wales." / Method. 'dust-ground.' Finely powdered resin is scattered evenly over the copper-plate. The ground is fixed by heating the plate just enough to melt the resin. 'Spirit-ground' (Sandby's method) Copper-plate covered with a solution of resin and spirits of wine. As the spirit evaporates it leaves a film of resin to dry on the plate, the resin contracts, and in doing so splits up into minute grains around which the surface metal become exposed. When the plate is submitted to the action of acid, the mordant is unable to attack the copper under the tiny hills of resin, but will be free to act on the minute spaces of exposed metal around them. After the outline of the picture is transferred, the forms and shadows are produced by a succession of careful bitings by the acid, the use of the stopping-out varnish being very important. / These two volumes of Sandby's earliest aquatints are very valuable, and were presented by Sir Mayson Beeton from his collection to Dorothy Grenside.

Markings

on front pastedown: bookplates of Sir Mayson M Beeton and John Waldie; label inside front cover: Fine Arts No. 672 [number written in pen and brown ink]


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