Inscription
lower left, brown ink, signed: Dom.o Tiepolo f
Provenance
(sale, Sotheby's London, 20 March 1974, no. 134); Herbert List [1903-1975], Munich (Lugt 4063); Ursula and Adolf Ratjen, Vaduz, for Wolfgang Ratjen; Wolfgang Ratjen [1943-1997], Vadiz and Munich; purchased 2007 by NGA.
Exhibition History
- 1977
- Stiftung Ratjen. Italienische Zeichnungen des 16. - 18. Jahrhunderts, Graphische Sammlung, Munich; Staatliche Museen Preussischer Kulturbesitz, Berlin; Kunsthalle, Hamburg; Kunstmuseum, Dusseldorf; Staatsgalerie, Stuttgart. Munich, 1977, 220, no. 101 (entry by Peter Dreyer).
- 1979
- Zeichnungen italienischer Meister aus den Sammlungen Schloss Fachsenfeld, Stiftung Ratjen Vaduz, Staatsgalerie Stuttgart, Staatliche Graphische Sammlung München. Kunstmuseum Lucerne, 1979, 56, no. 92.
- 1996
- Giandomenico Tiepolo, Maestria e gioco, Disegni dal mondo, Castello di Udine; Indiana University Art Museum, Bloomington, 1996, no. 19.
- 2011
- Italian Master Drawings from the Wolfgang Ratjen Collection, 1525-1835, National Gallery of Art, Washington, 2011, no. 62.
- 2014
- The Poetry of Light - La poesia della luce: Venetian Drawings from the National Gallery of Art, Museo Correr, Venice, Venice, 2014 - 2015, no. 116.
Bibliography
- 1977
- Stiftung Ratjen. Italienische Zeichnungen des 16. - 18. Jahrhunderts. Munich, 1977: 220-221.
- 1996
- Gealt, Adelheid, and George Knox. Giandomenico Tiepolo: Maestria e gioco. Disegni dal mondo. Castello di Udine and Indiana University Art Museum, Bloomington. Milan, 1996: 55 (reprod.), 187 (under no. 118), 240, no. 19 (trans. into English as Domenico Tiepolo, Master Draftsman. Bloomington, 1997).
- 1996
- Gealt, Adelheid M. and George Knox. Domenico Tiepolo: Master Draftsman. Electa, Milan, 1996: 55, 187, under 118, 240 (no. 19).
- 2005
- Gealt, Adelheid, and George Knox. Giandomenico Tiepolo, Scene di vita quotidiana a Venezia e nella terraferma. Venice, 2005, 105, 107, no. 19.
- 2011
- Italian Drawings from the Wolfgang Ratjen Collection 1525-1835. Exh. cat. National Gallery of Art, Washington, 2011: 142-143.
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