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(Leo Franklyn, London); Curtis O. Baer, Atlanta; his son, Dr. George Baer; to his wife, Mrs. Olga Baer; Mr. and Mrs. Ladislaus von Hoffmann, Washington, DC; gift to the NGA by Beatrix von Hoffmann in 2016.

Exhibition History

Drawings from the Collection of Curtis O. Baer. Fogg Art Museum, Cambridge, MA, 1958, no. 13 (as Master of the Tobit Legend)(reprod.).
Master Drawings from Titian to Picasso: The Curtis O. Baer Collection. NGA, Washington; Indianapolis Museum of Art, Indianapolis; The John and Mable Ringling Museum of Art, Sarasota; High Museum of Art, Atlanta; The Walters Gallery, Baltimore; Frederick Wight Gallery, Los Angeles, 1985-1987, no. 22 (as Master of the Story of Tobit)(reprod.)(catalogue by Eric M. Zafran).
The Luminous Image: Painted Glass Roundels in the Lowlands, 1480-1560. The Metropolitan Museum of Art, New York, 1995, 55, no. 6 (reprod.)(catalogue by Timothy B. Husband).
Recent Acquisitions of Dutch and Flemish Drawings, NGA, 2016.
Recent Acquisitions of Dutch and Flemish Drawings. NGA, Washington, 2016 (no cat.).


Sander, Jochen. "The Meeting of Jacob and Rachel: Hugo van der Goes' Drawing at Christ Church, Oxford," Master Drawings 27, no. 1 (Spring 1989): 47, 51 (note 32), fig. 11.
Schade, Werner. "The Meeting of Jacob and Rachel" by Hugo van der Goes: A Reappraisal." Master Drawings 29, no. 2 (Summer 1991): 193, fig. 5.
Buck, Stephanie. "The Impact of Hugo van der Goes as a Draftsman," Master Drawings 41, no. 3 (Fall 2003): 237-238, fig. 8.
Ketelsen, Thomas, and Uta Neidhardt. Das Geheimnis des Jan van Eyck: Die frühen niederländischen Zeichnungen und Gemälde in Dresden. Exh. cat. Dresden Palace, Dresden, 2005, 150, under no. 51, Abb. 3 (entry by Thomas Ketelsen).

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