Shallow bowl on low foot with the death of Laocoön and his two sons
1539
Ceramist, Italian (Rovigo), active in Urbino, c. 1486/1487 - after 1542
Ceramist


West Building Ground Floor, Gallery G14
Artwork overview
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Medium
tin-glazed earthenware (maiolica)
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Credit Line
-
Dimensions
overall (diameter): 27 cm (10 5/8 in.)
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Accession
1942.9.338
Artwork history & notes
Provenance
Maurice Kann [1839-1906], Paris; purchased 1908 with the entire Kann collection by (Duveen Brothers, Inc., London, New York, and Paris); purchased February 1910 by Peter A. B. Widener, Elkins Park, Pennsylvania; inheritance from the Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, 1942.
Associated Names
Exhibition History
1982
Sixteenth-Century Italian Maiolica; Selections from the Arthur M. Sackler Collection and the National Gallery of Art's Widener Collection, National Gllery of Art, Washington, D.C., 1982-1983, no. 54.
2018
Sharing Images: Renaissance Prints into Maiolica and Bronze, National Gallery of Art, Washington, 2018, no. 20
Bibliography
1935
Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 62.
1942
Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 13, as Urbino (Francesco Xanto Avelli?), with Gubbio luster.
1983
Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 121, no. 4.
1988
Fiocco/Gherardi 1988-1989, 2:580.
1993
Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 215-217, color repro. 216.
Inscriptions
center reverse: 1539 / da duo gra serpe / Laocaonte ucciso-
Markings
Kann collection labels 16, 185; unnumbered extract in French from 19th century sale catalog, attributing the painting to "Xantho" (now in object folder, NGA Curatorial Records)
Wikidata ID
Q62131091