Walker Evans: Selected Photographs

1974

Walker Evans

Associated Names
Walker Evans

Artist, American, 1903 - 1975

This is a photograph of a book cover. The cover features a plain, textured design in a muted gray-brown color, with a centered, horizontally-oriented black rectangular plaque. The plaque contains the name "WALKER EVANS" in bold, white capital letters.
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Artwork overview

  • Medium

    portfolio of 15 gelatin silver prints

  • Credit Line

    Gift of Lee and Maria Friedlander

  • Dimensions

    overall: 4.8 x 39 x 52.8 cm (1 7/8 x 15 3/8 x 20 13/16 in.)

  • Accession Number

    2006.117.2.1-15

Associated Artworks

See all 15 artworks
The image shows an aerial view of a city street lined with leafless trees, cars, and buildings. The horizon is not visible as the street extends into the distance. The scene is captured in black and white, emphasizing the contrast between wet surfaces and bare branches against an overcast sky. The street is lined with early 20th-century automobiles parked neatly on both sides. The wet pavement reflects the surroundings, adding a glossy texture. Classical buildings flank the street, softened by the rain. Light, reflections, and the relationship between man-made structures and natural elements set the scene's mood.

Saratoga Spings, New York, 1931

Walker Evans

1931

This is a photograph of an architectural structure with a decorative porch or alcove. The image captures a small section of a building featuring an ornate, wooden canopy adorned with intricate carvings and symmetrical patterns. Beneath the canopy is a traditional hand water pump. The building's exterior is highlighted by geometric designs, such as diamond-shaped windows and arched detailing, contributing to a gothic or Victorian style. The light and shadow play creates a sense of depth and texture, enhancing the photograph's composition.

Maine Pump, 1933

Walker Evans

1933

This is a photograph of an interior space with classical architectural details. The image shows a high-ceilinged room with rows of fluted columns featuring ornate Corinthian capitals. The columns lead to a closed wooden double door at the far end. The walls are paneled with clean, rectangular insets, adding symmetry to the space. The scene appears in a state of disrepair, with peeling paint and chipped columns, giving it a sense of faded grandeur. The composition and lighting highlight the intricate details of the architecture, capturing the texture and age of the surfaces.

Breakfast Room at Belle Grove Plantation, White Chapel, Louisiana, 1935

Walker Evans

1935

Artwork history & notes

Provenance

Lee and Maria Friedlander, New York; gift to NGA, 2006.

Associated Names

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